Category Archives: Italian Prisoners of War North Africa

Stefano Lucantoni: In his spare time

Marco Lucantoni from Napoli has a special collection of items belonging to his father Stefano Lucantoni.  As a prisoner of war in Australia, Stefano kept himself occupied in several ways.

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He had a lot on his mind: his family. His wife Egle was pregnant when he had last seen her in 1939.  His son was seven years old before father and son met.

A special thank you to Marco and his brothers for sharing Stefano’s treasured keepsakes.  Relics like these give credence to the historical accounts. They tell the personal history of Italian prisoners of war in Australia.

CHESS

Stefano took home with him a beautiful chess set made in Cowra. Featuring the Sydney Harbour Bridge, the image was a reminder of Stefano’s arrival in and departure from Sydney: 1941 and 1946.

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PLAYS

In Cowra on the 28th June 1946, a group of Italians staged L’Antenato a Commedia in 3 Alli. Stefano played the part of Egidio.

The carefully designed and produced programme highlights the efforts the men made for their production. The play was written by Guerrino Mazzoni, the sets created by Eliseo Pieraccini and Carlo Vannucci. Montaggio by Stefano Lucantoni, Renato bianchi, Felice di Sabatino, Luigi Proietti, Armano Mazzoni and Cesare Di Domenico.  Performers were Bruno Pantani, Guerrino Mazzoni, Carlo Vannucci, Tarcisio Silva, Bruno Dell Amico, Guigi Giambelli, Renato Bazzani, Marcello Falfotti, Alvise Faggiotto, Stefano Lucantoni. Suggestore was Giuseppe Carrari.

They were men from all walks of life: electrical engineer, butcher, clerk, mechanic, plumber, butcher, decorator, policeman, farmer, blacksmith, carpenter.

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EDUCATION and LANGUAGE CLASSES

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It was considered imperative that POWs occupied their leisure time usefully and the policy was to provide opportunities for POWs to further their studies.  Libraries in the camps were established and canteen profits used to purchase additional text books relevant to courses undertaken. Books from overseas were allowed in the areas of banking and financial, medical, scientific, art, economics, music, agriculture, religion, trade and commerce as well as periodicals of a general literary nature. Grammatica – Italiana – Inglese is Stefano’s exercise book from these language classes and shows his meticulous notes.

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The book, Pidgin English for Italian Prisoners of War was specifically published and given to Italian POWs being allocated to farm work under the Prisoner of War Control Centre: Without Guard scheme.  Some of the sections were: Tools, Machinery, Farm Produce, Animals, Hygiene and Medical, Family, House and Conjugation of Verbs.

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Stefano’s third book, Piccola Guida per Gli Italiani in Australia was written by Padre Ugo Modotti December 1944.  He worked closely with the Italian migrant community in Melbourne from 1938 to 1946.  He wrote this booklet for the Italian migrants.

On 9 March 1945, the Directorate of Prisoners of War was aware of this booklet and on 31 March 1945 approval was granted to distribute Picolla Guidi per Gli Italiani to the Italian prisoners of war in Australia.

By 1945, there was a relaxation in how the Italian POWs were viewed.  While they were still POWs, they were not considered a high security risk.  It was also a time when the Italians were thinking about life in Australia after the war and requesting permission through their farmers to stay in Australia and not be repatriated.

A guide for Italian migrants to Australia, this book gave the Italian POWs information to prepare for the time when they would return to Australia as migrants and free men.

METAL WORK

A story of love and a story of imprisonment.

The ring shows the intials E and S entwined and signifies the love of Stefano and his wife Egle.  Made in silver and another metal, the silver was obtained from Australian coins eg florins and shillings. Although it was forbidden for POWs to have Australian currency in their possession, necessity and ingenuity always find a way around the rules.

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The emblem is carefully crafted with the words: Ricordo Campo 12 A Cowra and entwined initials POW. It was the badge for the chess set.

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LETTER WRITING

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This card was printed and distributed for Natale 1944. A bucolic Australia landscape of sheep, gum trees and space.  Despite processes in place for prisoners of war to send postcards for Notification of Capture and Transfer of Prisoner, Stefano’s wife believed him dead and asked the Red Cross to try to locate some information about him.

In September 1941, Egle received a letter from the Red Cross telling her that her husband was a prisoner of war in Australia. Instructions were given to send mail to: Posta per prigionieri di Guerra, Australia.

Any wonder why mail was lost and months and sometimes years passed before mail was received.  The image on this postcard was very foreign to Stefano’s family, but its arrival conveyed love and hope.

Lucantoni Stefano and Egle

Stefano and Egle: Happier Times

A special thank you to Marco Lucantoni for the photographs used in this article.

Sebastiano from Ortona a Mare Chieti

With a handful of photos, Paolo Zulli is looking for information regarding his uncle, Sebastiano Di Campli, prisoner of war in Australia. Sebastiano was sent to work on farm/farms in the N13 Moss Vale district in New South Wales from 10.4.44 to 30.3.45. The government records indicate that some 110 Italian prisoners of war worked on farms in this area from March 1944 to November 1945.

Italian prisoners of war assigned to farm work, were issued with a ‘Bag, kit universal’ which was supposed to be withdrawn when rural workers returned to camp.  Not so for Sebastiano whose bag is still coloured with the red used to dye clothing and other items issued to prisoners of war and internees. Sebastiano’s kit bag still bears his Australian prisoner of war number: 57181.

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Kit Bag: Sebastiano Di Campli

(photo courtesy of Paolo Zilli)

Sebastiano’s photos tell more of his journey as a soldier and prisoner of war. Sebastiano was serving with the 44 Regiment Artiglieri Division Marmarica when he was captured on 3rd January 1941. A group photo taken in Libya was one of the treasured mementoes which returned to Italy with him.

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Libya: Sebastiano Di Campli and friends

(photo courtesy of Paolo Zilli)

From their capture at Bardia, Sebastiano and a friend Nicola Costantino (also from Ortona a Mare), were together when they were processed at Geneifa Egypt. How is this known: Sebastiano’s M/E prisoner of war number is 71770 while Nicola’s M/E number is 71768. Special bonds of friendship are confirmed by a family story that Nicola saved Sebastiano’s life in Libya.

From Egypt they were both sent to camps in India. On the reverse of Nicola’s photo is inscribed: 26.4.1942 Ricordo di Costantino Nicola. In 1943, they arrived in Australia, within two months of each other, then Nicola was sent to South Australia while Sebastiano stayed in New South Wales.

India: Sebastiano Di Campli and Nicola Costantino

(photo courtesy of Paolo Zilli)

Two months before being sent to Moss Vale and farm work, Sebastiano Di Campli was captured by the lens of Geoffrey McInnes at Cowra POW Camp on 6th February 1944.  He is standing third from the right and was immediately recognised by his nephew Paolo.

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 Cowra, NSW. 6 February 1944. Group of Italian prisoners of war (POWs) interned at No. 12 POW Group. Back row, left to right: 57040 G. Angelozzi; 57413 G. Palladinetti; 57422 D. Pasquini; 57168 D. Del Romano; 57181 S. Di Campli; 57277 R. Iacobucci; 57448 V. Pizzica. Front row: 57235 L. Fresco; 57195 M. Di Prato; 57224 G. Flacco; 57420 A. Paolucci; 49872 P. Morelli. Note: The number is an assigned POW number.

(AWM Image 030173/16, Photographer: McInnes, Geoffrey)

Glimpses of information about N13 Prisoner of War Control Centre Moss Vale can be found in the newspapers of the day. An article in the Picton Post on 11 May 1944 mentioned, “Sixty four prisoners of war employed on farms in Moss Vale district are said to be rendering excellent service.” Another article mentions Mr C McInnes owner of New South Wale’s largest piggery- “The Yedman”, which had 1400 pigs. The piggery was run by Mr McInnes, one employee and two prisoners of war and there was concern as to how to staff his piggery with the Italians being recalled in November 1945.

A reporter for the Sun newspaper visited five Italian prisoners of war at a farmhouse in the Moss Vale district. This is their story: N13 Moss Vale Antonio, Mario, Giuseppe, Pietro and Domenico

Another article mentions the strong affinity between a Moss Vale farmer and his family and ‘the men in their prisoner garb’, as well as the ongoing communication between farmer and an Italian post-war: An Italian Ex-P.O.W. Who Died from Grief

Along with his photos and kit bag, Sebastiano returned to Italy with a holy card for Maria S.S. della Libera. The picture of Holy Mary was kept with him while in Libya, Egypt, India and Australia, a source of comfort and a tangible and personal link to his home in Ortona a Mare Chieti.

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Holy Card belonging to Sebastiano Di Campli

(photo courtesy of Paolo Zilli)

Paolo knows that his wish to find Sebastiano’s farming families in and around Moss Vale is unlikely to happen, but he would at least like to know a little more about this district and primary industries in those times.

 

The Desert War

Stories from the Desert

Queensland families remember their Italian POW workers telling little of the fighting, but many a comment was made about one aspect of their capture.  While they tolerated the Australian and British soldiers confiscating their watches, they were resentful that the Allies took their personal photographs from them.

Captured at Tobruk 22nd January 1941, Antonino Lumia reflected, “When the English and the Australians arrived… to our captain… they confiscated the watch, his binoculars… his belt and his weapon.  All our watches were confiscated.  To some soldiers their wallets, personal photographs.  We walked towards their lines.”

Fighting in the desert was never a picnic.  Soldiers were parched, water and food scare, they battled sandstorms which blocked their vision and suffered extreme cold at night.

Newspapers of the day offer an insight into this desert war and souveniring:

“One batch of prisoners rounded up in a wire enclosure must have numbered about 3,000.  Here I spoke with a 24 year old infantryman who was a waiter in Rome until conscripted for the army six months ago.  He told me, “I did not want to fight but had no choice.  None of the men you see here have had enough to eat in the last fortnight.  The daily ration is a tin of bully beef to each two men, soup and a loaf of bread.  We are glad it is over.”

“Lots of us are wearing new Italian boots and they are very comfortable.  Some boys are wearing captured socks and black shirts – in fact, by the time it is finished we will be a motley crew all right.”

boots and pants

6th January 1941 BARDIA, LIBYA. Driver Morrison of the Photographic Unit rummages around the Italian Infantry positions and finds a new pair of pants.  Discarded boots, weapons and personal papers are strewn over the area.  (AWM Image 005316 photography Frank Hurley)

“It was funny a couple of days ago; we were resting beside our gun when we saw a half dozen blue-clad figures strolling over the horizon toward us.  When they reached us they made us understand that they were lost, having become separated from the rest of the herd.  [POWs] We promptly directed them on the right track and after giving us a decent Fascist salute they proceed on their way – unescorted.”

“Wine and cigars were among the luxuries the Australians captured from the Italians at Bardia.” 

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Bardia. 1941-01-03. Pile of provisions and clothing on the ground after an Italian Quartermaster Store was destroyed by the Allies. Note the soldier in the background, possibly from 2/2nd Battalion, with a large cloth, possibly a captured banner. (Original housed in AWM Archive Store)

“We went into action singing Waltzing Matilda and The Wizard of Oz.  The Italians just couldn’t understand the mentality of soldiers marching into battle against a numerically superior foe with a song on their lips.  They were completely demoralised.”

“As soon as we got within 50 to 100 yards from the Italians with our bayonets glistening in the sun, they threw down their rifles and raised their hands. Some of the prisoners said afterwards that the surprise that they felt when they heard us singing was heightened by the grim look on our faces.  They told us, ‘We Italians sing when we are happy: never before have we heard men singing and looking so serious!’ ”

“The Italian officers did themselves well… dugouts furnished with chests of drawers containing full dress uniforms, silk dressing gowns, and colourful pyjamas.  There were bathrooms with full sized baths.  There were bottles of wine, embossed stationery, cameras, quantities of patent medicines and crockery in addition to uncounted quantities of valuable technical equipment such as wireless sets and replacements, field telephones and Breda automatic guns and rifles.  Today there is probably no single Italian tunic in a Bardia dugout which still has a badge or shoulder strap.  Men are wearing Italian boots and breeches and using Italian blankets. Souveniring has been carried to such an extent that much of the booty must be abandoned because it will overload the battalion transports.”

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5th January 1941 BARDIA, LIBYA. The boys of the 2/2nd Battalion, now in occupation of Bardia, celebrate their entry into the Italian strong hold with a feast of captured food, wine and cigars.  (AWM Image 004906, photographer Frank Hurley)

Looting or Larrikinism

Craig Stockings wrote in detail about the revelry of Australia soldiers after the Battle of Bardia.  Bardia Captured illustrates the surrender of Bardia. The following is an extract from his book, Bardia.

“After the guns fell silent the dusty yellow landscape in and around Bardia was littered with the remnants of the defeated Italian force. Papers blowing on the wind caught on broken vehicles, scaterred weapons, abandoned guns, piles of stores, and long columns of prisoners heading south.” Litter in Libya films these images.

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27th December 1940 NEAR BARDIA – More of the many thousands of Italian prisoners captured during the Battle of Bardia. (AWM Image 004911 NEGATIVE BY F. HURLEY).

“Much of the spontaneous Australian carousing was innocent enough.  Many soldiers who found themselves close to Bardia’s beaches, for example, stripped their grimy clothes and dashed into the Mediterranean to wash clean the filth of combat.  A severe flea infestation …to sup baths, shave and establish their own hairdressing salon.  Where caches were discovered Australian troops feasted on Italian rations and smoked Italian cigarettes.  Many platoon vehicles were soon weight down with cases of tuna, preserves and a variety of tinned veal and pasta meals.  In some areas the nature of the boot surprised those who stumbled upon it… ‘all sorts of queer clothing ,silk underwear both male and female, lots of scents and hair pomades. Eau-de-cologne… was a great favourite….

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5th January 1941 BARDIA. “The Knights of Bardia” – Colonels for the Day. Dressed in captured Italian finery, men of the A.I.F. react to their sweeping victory.  (AWM Image 004913 NEGATIVE BY F. HURLEY).

Not all celebratory activities were as innocent… particularly drunkenness, looting and dangerous larrikinism.. A barrel of captured wine was placed on a nearby truck and competitors drank mug for mug until only one man was left standing.  As one witness recounted, the ‘camp was a mess with three parts of the platoon lying drunk in heaps of spew and vomit’.  .. too much Italian cognac…

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Bardia, Libya. 1941-01-04. An Italian prisoner of war (POW) is watched by some of his friends as he siphons wine from a barrel into his mouth while lying beside the barrel. Note the Italian camouflaged ground sheet rigged as a shelter on the left. The prisoners of war were under the supervision of members of 2/2nd Battalion. (AWM Image P02038.083 Original housed in AWM Archive Store)

Another distasteful post-battle pastime was the systematic robbery of Italian prisoners. As its most innocent this manifested as an informal type of resupply.  Almost every member… acquired at least one Italian pistol, officers helped themselves to Italian binoculars, which were superior to their British equivalents.  More concerning was the illegal theft of personal items… Shortly after the battle, he [one soldier] had ‘pockets full of money, wedding rings, some mother of pearl inlaid pistols and some flash fountain pens’, as well ‘had watches up both arms’… The same man later reminisced that for many Australians guarding prisoner columns, ‘it was like having an open go in a jewellery shop.’…

In one particularly atrocious incident, a soldier was tried at court martial (and found guilty) for tossing an Italian grenade into a prisoner cage, seriously wounding five unarmed Italians.

Tobruk POW CAge

23rd April 1941 TOBRUK. Birds of a feather stuck together in a common cage, German and Italian prisoners captured round about Tobruk by the Australian forces holding the town and surrounding country. (AWM Image 007482, Negative by F Hurley) 

Operatic Prisoners

This article, Operatic Prisoners was published and republished in Australian newspapers from 1943 to 1945. It describes a concert given by operatic Italian prisoners of war in North Africa.

It’s not every batch of prisoners that includes a great operatic singer! When does, he must be a great asset on the entertainment side, and is probably hotly compete for among rival camps.

A member of the BBC’s staff now in the R.A.F. and serving in North Africa has written home his impressions of opera, at first hand, in the desert. He and an R.A.F. colleague set off at eight o’clock one evening to try and contact a certain American unit.  When it proved difficult, they decided to seek assistance from their army counterparts.  At about 9 p.m. they went to call on them.  They halted involuntarily in the drive about 50 yards from the house, and listened spellbound to a superb tenor voice singing what seemed to be an Italian folk song to violin accompaniment.  They took it to be a star radio programme.  Then the applause ‘thundered out’ and they realised that the singer must be present in the flesh.  So they went in to find four Italians being shaken by the hand by British forces and joined in the congratulations.  This is how our correspondent describes the scene:- these four were part of an Italian party of thirty who were captured en bloc.  They were acknowledged to be the ‘finest collection of stars ever assembled for entertaining the Italian troops in the battle area.”  (a sort of ENSA counterpart).  And these four prisoners had volunteered to come along to this small ‘at home’.  The audience consisted of about fifty N.C.O.’s The singer was the principal tenor of La Scala, Milan, Scipa [Tito Schipa]: he looked as he stood there anything but one of the world’s great operatic stars.  His uniform – jacket and shorts – stained and patched, his legs sockless and in army boots. Yet, when he sang, … no one noticed his appearance; all one was aware of was the magnificent voice and the grand accompaniment on violin and piano.  He sang to us Gounod’s “Ave Maria”, “O’Paradisa” “Your Tiny Hand is Frozen” (from Boheme) and the famous aria from Tosca.  Right at the end he gave us Toselli’s Serenade.  Singing and accompaniment were equally amazing since none of them had any music – it had all been lost.  Both violinist and pianist were also from La Scala – their leading violinist, Vasco Passarella.  Just in case we should arrive in Milan before him, he gave us his address that we might call on his parents.”

1945 ‘Operatic Prisoners’, The Beverley Times (WA : 1905 – 1977), 13 April, p. 6. , viewed 11 May 2018, http://nla.gov.au/nla.news-article202750221

Listen to Ave Maria

 

Italian Soldiers at War

Researching Italian prisoners of war on farms in Queensland was my primary research focus.  With over 1500 Italians living and working in Queensland, it was difficult not to get kidnapped my peripheral topics.

But I soon realised I couldn’t research the Queensland Italians without knowing where they had been fighting and captured.  And with thanks to the families of Angelo Amante, Francesco Cipolla, Stefano Lucantoni, Ermanno Nicoletti, Adofo D’Addario, Luigi Iacopini, Antioco Pinna and Nicola Micala we have the  images below of the Italians as soldiers.

I was overwhelmed by the statistics for Italians captured  at Battle of Bardia so I spent some time reading newspaper articles for the Australian soldiers’ perspective, books in the James Cook University for detailed military and strategy information and personal memories of Italian prisoners of war.

 

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Delving into the battles of Beda Fomm,  Sidi el Barrani, Wolkefit,  Buq Buq,  Keren,  Tobruk,  Gialo Oasis and Giarabub Oasis happened as I  assisted Italian families with their research on their fathers and grandfathers. Appendix 2 in  Walking in their Boots   is a comprehensive list of places of capture for Queensland Italian prisoners of war.

Additionally, Libya.Egypt.Eritrea.Ethiopia is a photo story of a number of battles together with personal photos of Australia’s Italian prisoners of war.

 

Left photo: Vincenzo Piciaccia Right photo: Vincenzo Piciaccia on right

(photo courtesy of Leo Piciacci)

Vincenzo Piciaccia was 19 years old when these photos were taken in Libya.  The photo on the right shows the bravado of young men from Ascoli Piceno with Vincenzo holding his dagger in one hand and another man holding out his rifle. Side by side with weapons of war are the everyday items:  a  food container which Vincenzo holds in his left hand and the man on the left also holds a billy can. Vincenzo was 20 years old when he was captured at Bardia 4.1.41 and 26 years old when he returned to Italy: a youth stolen from him by war.

A report written by Major A.E. Reed C.C. No. 3 Reinforcement Group in June 1941, records a little information about the captured Italians soldiers:

“There is a large internment Camp for prisoners of war on the road from Gaza to Jeruselem and another near Ismailia.  I was informed that there was also one near Suez, but I was unable to get any reliable information regarding the capacity or other detials of these camps.  They are brilliantly illuminated at night and can be seen for from many miles away.  On one night, however, an unidentifited plane machine-gunned the camp at Suez, and since my return there has benn a report of the bombing of the camp on the road to Jeruselem. From enquiries I made, I was informed that large numbers of prisoners had been sent to India and some to South Africa.  … prisoners are also being sent to Ceylon, where, I was informed, a large number are alreay located.  The shortage of transport was stated to me to be  a reason for the delay in sending prisoners to Australia, and while I was at Suez two large ships which, it was understood, would be bringing prisoners here, [Australia] were diverted to South Africa, one of them taking women and children who were being evacuated.”  AWM2018.8.411

 

Voices from the Past

The Unexpected

At the beginning of this project, I had a wish list.  It was a simple list: to find one Queenslander who remembered the Italian prisoners of war and to double the number of photos of Italian prisoners of war in Queensland.  The only three photos in the public domain which feature our Queensland POWs  are housed in the John Oxley Library.

My wish list  for one story and three photos has been exceeded many times over.

BUT  I had never expected to find the testimonies of Italians about their time as prisoners of war. This project is honoured to have these testimonies as part of its collection.

 Antonino Lumia’s  story is told in more depth in A Voice from the Past, Fighting in North Africa and Capture.Surrender.Imprisonment .  His grandson Damiano Lumia recorded his grandfather’s memories over 40 years ago ensuring that the voice of the Italian soldier can be heard and that his experiences are not forgotten.

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HAY, NSW. 1944-01-16. ITALIAN PRISONERS OF WAR HAVING A MEAL IN THEIR MESS AT NO. 7 COMPOUND, 16TH GARRISON BATTALION PRISONER OF WAR DETENTION CAMP. PICTURED ARE: 46007 ANTONIO LUMIA (1); 45824 BRUNO GALLIZZI (2); 46734 ALMO STAGNARO (3); 48355 GIUSEPPE ARRIGONI; (4); 45087 ANTONIO BACCIGALUPO (5); 46620 MICHELE RIZZO (6); 46626 EMILIO RUOCCO (7); 46635 FRANCO RONDELLI (8); 45900 ALESSANDRO IANNOTTA (9).

(AWM, Image 063371 McInnes, Geoffrey)

Costanzo Melino’sstory is part of a book written and published by his daughter Rosa Melino “Anzaro: The Home of My Ancestors”.  Captured… On the Move and Captured at Bardia share the everyday details of life as a young Italian soldier.  Costanzo returned to Australia after the war with his family following later. Life as a soldier was difficult but life as a ‘new’ Australian presented many challenges for the Melino family.

Q3 Gympie Italian prisoner of war Melino Costanzo

Costanzo Melino c 1940

(photo courtesy of Rosa Melino)

Ferdinando Pancisi is 100 years old and living and working in a tiny village Civorio in Alta Romagna.  Tim Dwyer (ex Boonah) arranged for Tammy Morris and Nicola Cianti to visit Ferdinando (Ferdy) in October 2017.  His memories were recorded on 21st October 2017. They offer a stoic perspective on life, war, death and imprisonment.  Ferdy had worked on the farm of Pat Dwyer Fassifern via Boonah and for over 70 years the Dwyer family have corresponded with Ferdy.  At first it was Pat Dwyer, then his wife Joie and recently son Tim.  This is a special family connection and legacy.  Against all odds, Tim arranged for Ferdy to be interviewed so that his ‘voice’ will never be silenced.

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Anna Pancisi, Tim Dwyer and Ferdinando Pancisi

(photo courtesy of Cathy Dwyer)

Angelo Valianteis a well known and much respected resident of the Stanthorpe district.  His story is recorded in a book, newspapers and a mural painting.  Seizing an opportunity and an offer to have an interview filmed, I travelled with Ann Megalla to Stanthorpe in October 2017 to talk with Angelo about his time as a prisoner of war.

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Angelo Valiante – Mural by Guido van Helten : Stanthorpe

(photo courtesy of Joanne Tapiolas)

Journey Through Photos

Luigi Iacopini’s journey as a soldier and prisoner of war is told through the photos he kept.  His photos are like a diary recording major events in his early adult life.

Born 24.5.16  in Ponzano Di Fermo Ascoli Piceno, Luigi’s occupation was a barber.

In Italy

A reminder of his military service in the infantry is a photo of a young Luigi in full dress uniform.

Foto Luigi Iacopini AUS__003 (1)

Luigi Iacopini

(courtesy of Raffaele Iacopini)

Craig Douglas from Regio Esercito History Group Australia  recognised the uniform and writes, “it looks like he belonged to the 115 Infantry Regiment, 62nd Infantry Division Marmarica. Destroyed 5 January 1941 at Bardia.”  And yes, Luigi was captured at Bardia on 3rd January 1941.

In Libya

Luigi and other young soldiers in Derna Libya. Derna is on the coast between Benghazi and Tobruk.  It was taken on 25.?.38. Luigi was 22 years old.

Foto Luigi Iacopini AUS__001 (3) - Copy

Italian Soliders in Derna 1938

(courtesy of Raffaele Iacopini)

In India

The rattan matting, the socks and sandals, the shorts and trousers with a distinctive stripe down the sides are common to photos in the POW Camps in India. Luigi was 25-27 years old.

Foto Luigi Iacopini AUS__001 (2) - Copy

A group of Italian prisoners of war in a POW Camp in India

(courtesy of Raffaele Iacopini)

In Australia

A group of Italian prisoners of war at a Gympie farm.  The photo was possibly on a Amamoor farm and taken on the day of departure from the farms in the first week of January 1946. Luigi was 29 years old.

Luigi Iacopini, Giovanni Meconi and Fortunato Gobbi went to the farm of JJ Parr at Amamoor on 5th August 1944.

Other Italian POWs who worked on the farm of JJ Parr were Vincenzo Licocci, Francesco Bevilacqua. Alessandro Di Placido, Costanzo Melino and Pasquale Di Donato.

Foto Luigi Iacopini

Italian Prisoners of War at a Gympie Farm

Alessandro Di Placido (?) first on left, Fortunato Gobbi second on left, Luigi Iacopini centre

(courtesy of Anna Eusebi)

 

Luigi was repatriated on the Alcantara on 23rd  December 1946.

1946 Dec Daily Advertiser

1946 ‘BACK TO ITALY’, Daily Advertiser (Wagga Wagga, NSW : 1911 – 1954), 25 December, p. 1. , viewed 07 Aug 2018, http://nla.gov.au/nla.news-article145125911