Tag Archives: Cowra Prisoner of War and Internment Camp

Repatriation: Alcantara

Today’s article is with thanks to Rocco Martino in New York.  After I published the article about the Ormonde  titled: Sailing Home,  Rocco made his generous offer to pay for a copy of the Alcantara Nominal Rolls of Italian Prisoners of War.Thank you most sincerely Rocco on behalf of the 3321 Italian families whose fathers and grandfathers were on this ship.

There were over 20 ships which transported Italian prisoners of war from Australia to Italy but not all lists have been digitalized by the National Archives of Australia.  The four main transport ships were Alcantara, Ormonde, Otranto and Orontes, sailing the end of 1946/ beginning of 1947.

The Alcantara departed Sydney on 23rd December 1946.  Official military documentation records that there were 3321 Italian prisoners onboard: 77 officers and 3244 ORs.

The group of Italians were transported in six train from Cowra to Sydney where they embarked the Alcantara from Pyrmont Wharf.  The event was reported in the newspapers and no doubt the Italians would have seen the humour and irony in the situation where the Italians ‘munched hard-boiled eggs, tarts and sandwiches’ while the ‘guards went without food‘. Upon arrival in Sydney, the Italians were given a mug of tea and fruit.

1946 Dec 23 The Telegraph

The Telegraph, Prisoners Eat: Guards Starve, 23 December 1946.

The Italians were allowed up to 90 lbs of  personal possessions and the photo below show all manner of baggage.  Some Italians had used their cash funds to buy up essential items like soap, toothpaste, clothing for their family, boots and canned food, as they already knew these items were in short supply in Italy.  “Most of the Italians wore camp made felt slippers and carried one or two pairs of new boots.  One in every twenty had a musical instrument, a violin, mandolin, guitar or accordion.”  

1946 Dec Daily Advertiser

Daily Advertiser, Back to Italy, 25 December 1946

The departure of the ship was held up waiting for the crew (Australian guards who no doubt went in search of food).  Scheduled for a 4 pm departure, the Alcantara sailed at 6.30pm. In the article below, you can see one of the Italians enjoying his sandwich and cup of tea.

Nicola Auciello is pictured on the bottom right.  He had reason to smile as he was engaged to an Australian girl. Nicola’s fiancee Muriel travelled to Italy at the end of 1947 and married Nicola in Bari in April 1948.  They returned to Australia in December 1948 taking up residence on a sheep property at Wee Waa.

Each of the 3321 Italians would have their own special story.  One Italian, showed the newspaper reporter a picture of his 11 year old son, who had never seen. Other Italians commented that they wanted to return to Australia and they were not looking forward to seeing ‘how bad’ the situation was in Italy.

Alcantara Four Italians

The Sun, Italian POW’s Leave for Home, 23 December 1946

The Alcantara according to Domenico Masciulli’s testimony, arrived into Naples on 22nd January 1947.

Take the time to read through the lists of Italians.  You will find men from your village or town; and men who were born in USA, Brazil, Argentina, France, Libya, Switzerland and Scotland.

This is an invaluable document and while looking through the names in the lists, it is difficult not to feel a definite sense of certainty: these men: brothers, fathers, grandfathers and sons were finally going home.

Many a name on the list is familiar to me; I have had contact with their families or spoken with their Australian farming families. I have seen their life through photos: after they returned home, on their wedding day, with their children. And you have been introduced to them through the articles on this website:  Domenico Petruzzi, Domenico Masciulli, Francesco (Ciccio) Cipolla, Stefano Lucantoni, Angelo Amante, Angelo Valiante, Adriano Zagonara, Salvatore Morello, Vincenzo Pace, Fortunato Gobbi, Luigi Iacopini, Paolo Reginato, Ferdinando Pancisi, Giuseppe Mangini, Costanzo Melino, Antonio Lumia, Domenico Tiberi.

Alcantara Troop ship 1942

Alcantara

(Martin Harrison, Medals Research Site, http://martinharisonsmedalresearch.weebly.com/gray-leslie-frank)

You can view the lists of Italian Prisoners of War two ways.

1. 1946 Alcantara Rolls

2.  Go to http://www.naa.gov.au  and search [Nominal rolls of Italian Prisoners of War at Cowra POW camp, for transfer from Australia to Naples, Italy per ALCANTARA] [Box 9]

NAA: SP196/1, 10 PART 15

Finding Nonno

The history behind nonno’s stories

Robert Perna from Detroit Michigan writes, “Many years ago my grandfather told me about his time as a POW from Italy. He surrendered in North Africa and was first shipped to Iraq. Then he was shipped to Australia and worked on a cattle farm. He told me it would take weeks to walk the fence and repair it. He said the owner owned a territory. 

I’m looking for any way to find out who he lived with. He passed many years ago, but his memory of his time there was always very clear. He did end up going back to Italy because that’s where his family was.”

And so the journey begins for a grandson to meld a grandfather’s stories with historical fact.

Using the guide Finding Nonno, Robert found with ease his grandfather’s Australian records which confirmed a few details: his nonno Arcangelo was captured in North Africa: Amba Alagi on 5.5.1941; he was sent to India (not Iraq); he was shipped to Australia: onboard the SS Uruguay in 1943 which docked at Sydney; and he was assigned to farm work: in the N11 Prisoner of War Control Centre Glen Innes.

Robert recounts the details of Arcangelo’s conscription and war service, “My grandfather went to Rome to go pay the taxes on his property. While there, they recruited him off the streets* and sent him to Africa. He could not say goodbye to his family.

From there he was sent to Northern Africa where he was in charge of a platoon. They found out they were being attacked at dawn. So they hunkered into a hill waiting for the African army to attack. Once they ran out of bullets, everyone surrendered, so no one would get killed.” 

The piecing of history continues giving credence to Arcangelo’s memories of the day he was captured 5th May 1941:

1 May 1941 Viceroy of Italian East Africa Duke of Aosta and 7,000 troops were trapped at Amba Alagi, Abyssinia by Indian 5th Indivision to the north and South African 1st Brigade in the south.

3 May 1941 Allied and Italian troops engaged in heavy fighting at Amba Alagi, Abyssinia.

4 May 1941 29th Brigade of the Indian 5th Division launched another attack at Amba Alagi, Abyssinia, capturing 3 hills between 0415 and 0730 hours.

5 May 1941 3/2nd Punjab Battalion advanced toward the Italian stronghold at Amba Alagi, Abyssinia at 0415 hours. They were pinned down by 12 Italian machine guns for the most of the day. The attack was called off at dusk.

British Pathe footage captured the Italians after the surrender of Amba Alagi. Another detail from this battle comes from Craig Douglas at Regio Esercito History Group in Brisbane: “When the Italian troops surrendered at Amba Alagi, the British commander allowed them to surrender with the full honours of war. In tribute to their tenacious defence right to the end.”

The battle for Amba Alagi, the last Italian stronghold in Eritrea. Italians who surrendered Fort Toselli seen marching down the road from the fort. c. June 1941

(AWM Image 007945, Photographer: Unknown British Official Photographer)

From Amba Alagi, Arcangelo would have been sent to POW camps in Egypt to be processed and assigned a M/E number: 289564 [Middle East].  From Suez he would have been transported to India.

Critical Past footage gives a window into the past; the arrival of Italian prisoners of war in Bombay India.

The next stage of Arcangelo’s journey is his arrival in Australia which was reported in the newspapers.  Two ships from India arrived together in Sydney 4th October 1943 with 507 Italian POWs on each ship (one medical officer, 5 medical other ranks and 501 other ranks: MV Brazil and SS Uruguay.

ITALIANS FOR FARMS” Sunday Times (Perth, WA : 1902 – 1954) 10 October 1943: 5. Web. 22 Jun 2019 http://nla.gov.au/nla.news-article59187793

1000 Italian War Prisoners Arrive” Kalgoorlie Miner (WA : 1895 – 1950) 7 October 1943: 4. Web. 22 Jun 2019 <http://nla.gov.au/nla.news-article95630892&gt;

 

Arcangelo Perna’s arrival is documented on the Nominal Rolls Cowra 12 (c) POW Camp arrival from overseas 5th October 1943. He is assigned his Australian POW number : PWI 55833. Notice that his rank is Corporal though his other documents have his rank as Italian and Private; somethings are lost in translation.

Nominal Rolls of Italian Prisoners of War to Cowra

(NAA: SP196/1, 12 PART 2, 1943-1944 Sydney)

Within two months of his arrival in Australia, Arcangelo is assigned to farm work N11 C.C. Glen Innes.

Robert has a clear memory of his nonno’s recollections of Australia, “ He told me he worked on a cattle farm there. First thing he had to do was mend the fence with the owner. So they packed up the cart and took off. It took over 3 weeks to walk the fence. After that he worked there for a few years. Once it was time to go, the owner begged him to come back and live there. My grandfather said no, he had a farm in Italy. He never said anything bad about being there in Australia. He said they were a nice family who treated him wonderfully.”

Arcangelo’s Service and Casualty Form provides the details of his time between leaving the Glen Innes farm and his repatriation.  A documented four day stay in the Glen Innes hospital and his transfer from the farm to Murchison suggests ongoing medical concerns.  Those Italian who were medically unfit were sent to Murchison. And it is while Arcangelo was at Murchison, official group photos of the Italians were taken. 

A search of the Australian War Memorial collection did not turn up a match for Arcangelo. And Arcangelo’s photo could have been missed because, not all photographs taken of the POWs include the names of the men in the photos.

With this information and a chance at finding his nonno, Robert set to looking through all the group photos taken at Murchison March 1945. And there he was: seated second from the right.

A special moment for Robert: he had found Nonno in Australia.

Murchison, Australia. 2 March 1945. Group of Italian prisoners of war (POWs) interned in D2 No. 13 POW Group.

(AWM Image 030229/13, Photographer: Stewart, Ronald Leslie)

Arcangelo was repatriated on Chitral  from Sydney on 24th September 1946. These early repatriations were for special consideration, medical or compassionate reasons. This was one of the early repatriation ships which boarded 300 POWs in Sydney and another 2900 in Fremantle Western Australia. The majority of Italian POWs held at Northam Camp WA were repatriated on Chitral.

 Robert continues, “When he came home, my grandmother wasn’t even home when he got there! One of my aunts were born while he was away. Plus, my dad was born about 9 months after he came home.”

These memories [of my nonno] have been a part of my life since he’s told me the story. It has been told hundreds of times. Now I have proof, pictures and info to back up my story,” Robert reflects.

No title” The Sun (Sydney, NSW : 1910 – 1954) 24 September 1946: 3 (LATE FINAL EXTRA). Web. 22 Jun 2019 <http://nla.gov.au/nla.news-article231583722&gt;

*This is not the first time I have heard about this method of recruitment. A group of young men from the Lecce region, told a similar story to their Queensland family in Gayndah.

Attori e Artisti

A series of remarkable events has contributed to a greater understanding of the staging of a play at Cowra Camp June 1946.

Background

A special thank you to the following people and their contributions:

Hugh Cullimore: Assistant Curator- Art Section, Australian War Memorial Canberra, for his knowledge of Cowra artists Carlo Vannucci and Eliseo Pieraccini;

Francesca Maffietti: from Ospitaletto di Cormano (Milano) granddaughter of  Ippolito Moscatelli for the photos of the Cowra Chapel;

Marco Lucantoni: from Napoli, son of Stefano Lucantoni for a program from the play ‘L’Antenato’ staged at Cowra 28th June 1946.

The Play

In Cowra POW Camp on the 28th June 1946, a group of Italian prisoners of war staged L’Antenato [The Ancestor] a Commedia in 3 Atti by Carlo Veneziani. This play was first staged in Genoa 1922 and in 1936 a film based on the play was produced. Click to read the script for the play.

The carefully designed and produced program highlights the efforts the men made for their production. If the quality of the program is a reflection on the efforts of the men in staging this play, then this production must have been excellent.

The play was directed by Guerrino Mazzoni, the sets created by Eliseo Pieraccini and Carlo Vannucci. Construction and equipment were by Stefano Lucantoni, Renato Bianchi, Felice di Sabatino, Luigi Proietti, Armano Mazzoni and Cesare Di Domenico. Program design (screenwriter) was by Giuseppe Carrari.

 Performers were Bruno Pantani, Guerrino Mazzoni, Carlo Vannucci, Tarcisio Silva, Bruno Dell’Amico*, Luigi Giambelli, Renato Bazzani, Marcello Molfotti, Alvise Faggiotto, Stefano Lucantoni.

The Actors

The roles were played as follows:

Il Barone di MONTESPANTO Bruno Pantani

L’ingegnere Guiscardo MONTESPANTO  Guerrino Mazzoni

La Signora LEUCI Carlo Vannucci

VANNETTA figlia della signora Leuci  Tarcisio Silva

GERMANA fidanzata di Guiscardo Bruno Dell Amico

FANNY nipote di Egidio Luigi Giambelli

Il Cavalier BERGANDI Renato Bazzani

SAMUELE GANGA l’usuraio Marcello Molfotti

Il domestico ASCANIO Alvise Faggiotto

Il custode EGIDIO Stefano Lucantoni

Reflections

Marco Lucantoni shared this program with me in October 2018, but its true value was not realised until the pieces of this historical puzzle were patched together.

Marco remembers, “My father [Stefano] often told me about his friend, this great artist who was Carlo Vannucci, creator of the Viareggio carnival floats.”  

Carlo Vannuci, Tascisio Silva, Bruno Dell’Amico and Luigi Giambelli played the female roles. Males playing the females is a recipe for a highly comedic and hilariously funny performance.

These men came from all walks of life; some were single, others were married; their ages ranged from 25 to 34 years; and two brothers were part of the group.

The historical context of the play’s performance is that the majority of Italian prisoners of war were withdrawn from farm work by February 1946 with a promise of ‘going home soon’. Italian prisoners of war from Queensland and New South Wales were brought into the camps at Cowra, Hay and Liverpool to await repatriation.

L’Antenato was performed in June 1946; a little reprieve from the boredom and angst associated with the wait to return home. It would be 7 months for most of the Italian prisoners of war before they landed at Naples.

Fourteen of the seventeen men sailed on the Alcantara, departing Sydney on 23.12.46. Renato Bazzani left Sydney on the Moreton Bay on 30.7.46 while Lugi Proietti and Luigi Giambelli departed on the Ormonde from Sydney on the 31.12.46.

A quiet reflection from the great bard Shakespeare:

All the world’s a stage,

And all the men and women merely players;

They have their exits and their entrances;

And one man in his time plays many parts…

The Italians were sons, fathers, husbands, soldiers, prisoners of war, international travellers, letter writers, multi-linguists, diary keepers, actors, artists and eventually ‘FREE’.  

The Cast and Crew

I include the details of the cast and crew in the hope that their families will find this article and this personal connection to the past.

Marcello Molfotti 1912 Mechanic Quesa Lucea (Quiesa [Lucca]) [Navy]

Stefano Lucantoni 1914 Plumber from Roma

Eliseo Pieraccini 1914 Clerk from Viareggio (Lucca)

Renato Bazzani 1915 Milano Policeman

Tarcisio Silva 1916 Clerk from Milano

Renato Bianchi 1917 Carpenter from Milano

Guerrino Mazzoni 1917 Clerk from Bologna (brother to Armano)

Alvise Faggiotto 1917 Verona Farmer

Cesare Di Domenico 1917 Farmer from Capistrello (Aquila)

Luigi Proietti 1919 Butcher Roma

Giuseppe Carrari1919 Clerk from Piombino (Livorno)

Felice di Sabatino 1919 Blacksmith Roma

Bruno Pantani 1919 Butcher from Roma

Luigi Giambelli 1920 Mechanic Milano

Bruno Dell’Amico* 1920 ELETTROTECNICO Carrara

Carlo Vannucci 1920 Decorator from Viareggio (Lucca)

Armano Mazzoni  1921 Clerk Bologna (brother to Guerrino)

*Bruno Dell’Amico: soldato, prigioniero di guerra, sindacalista e politico socialista, cineaste. Bruno’s son Evandro has written 3 books about his father: L’Uomo Tornato da Lontano, Il Viaggio Australe, L’Artigiano dell’Immagine and 1 book about his uncle Evandro who was a prisoner of war in Germany: In Mio Nome, Mai Piu

Two Artists and a Cowra Chapel

Eliseo Pieraccini and Carlo Vannucci are names on the lists of Italian prisoners of war sent to Australia during WW 2.  Individually, they were just a number and a name; their details were recorded and notated on multiple Australian Military Forces forms.

But there are invisible threads that connect the two men.  They were both from Viareggio (Lucca) a seaside town on the Tuscan coast.  They arrived in Australia from India onboard the Mariposa. Their only placement in Australia was Cowra: 27.4.44 until repatriation onboard the Alcantara 23.12.46. They both left a lasting legacy.

Vannucci’s occupation is recorded as ‘decorator’ and Pieraccini’s occupation is ‘clerk’. They are names that remain forever connected to this history and Cowra, because during their time in Cowra, they painted ‘renaissance’ style Altar Panels for Cowra Camp 12 (C).

Cowra Altar Compound 12 (C) c. 1946  (photo courtesy of Francesca Maffietti)

The coloured photo of the chapel at Camp 12(C) was one of three photos Ippolito Moscatelli took home to Ospitaletto di Cormano (Milano)  with him; souvenirs of life as a prisoner of war in Australia. At first glance, granddaughter Francesca  Maffietti thought this was a chapel in Italy.  Her grandparents made pilgrimages to many chapels in Italy, taking photos along the way. At first glance this chapel could be mistaken for an Italian chapel; the decorations are undoubtedly Italian in style.  Eliseo and Carlo through their art, brought a little of Italy to Cowra.

The wooden floor, corrugated iron roof, exposed beams and gaps between walls and roof: this is the chapel in 1946. The altar is painted in a fashion to appear like marble. The details are beautiful: the motif of the Holy Ghost represented as a dove above the crucifix, the cross on the front of the altar, the paintings of Mary and Jesus, the backdrop painted in burgundy, whites and shades of black. In contrast is the November 1941 chapel for Cowra Camp 12 (C). It consisted of an outdoor altar. Quite possibly this original altar eventually found a home inside a hut and bit by bit, decorative paintings were added as were religious items.

Guerre 1939-1945. Nouvelle Galles du Sud, camp de Cowra No 12, section C. Autel en plein air. War 1939-1945. New South Wales, camp of Cowra, camp 12, section C. Outdoors altar.

Outside Altar Cowra Camp 12 C 12.11.41 (ICRC V-P-HIST-E-00217)

The Altar panels of Mary and Jesus are stored at the Cowra Regional Art Gallery. Details about the panels can be found at: https://www.cowraguardian.com.au/story/6550175/council-seeks-heritage-listing-for-italian-pow-art-works/

The Virgin Mary painted by Eliseo Pieraccini (left) and Jesus painted by Carlo Vannucci (right) (photos from The Cowra Guardian December 24 2019, Council Seeks Heritage Listing for Italian POW Art Works)

Carlo Vannucci

In addition to this little know history is the close connection between Sergeant Robert Dunlop Burge and Carlo Vannucci. Hugh Cullimore, Art Curator at the Australian War Memorial provides the following information:“Sergeant Robert Dunlop Burge (N386934) was in charge of the Engineering section at Cowra prisoner of war camp from 15 May 1942 to 29 April 1947. During his service as a guard, Sergeant Burge formed friendships with several of the prisoners, including Italian artist Carlo Vannucci. Vannucci had been captured in Libya and transported by the US Navy to Australia, where he was interned in Cowra. Sergeant Burge organised paints and canvas from old flour bags for Vannucci and other artists in the camp. Sergeant Burge’s wife, Jenny Catherine Burge, regularly travelled on the train to visit her husband serving at the camp. Vannucci painted [a] portrait of Jenny for Sergeant Burge, as a gift.” And the same initial descriptor with this quote: “Sometime later on a routine workshop inspection Vannucci took me by surprise with a gift of a framed painting which he had signed” Burge said in 1975, in an article published in the local paper at the time, as reported by the ‘Cowra Guardian’, 5 June 2014. “It was an impression from memory of a sea view in his home town Viareggio, an Italian well known seaside resort…The painting was an expression of Vannucci’s thanks.”

Colleen Hill, daughter of Sergeant Burge visited Carlo in Italy in 2014 as reported: https://www.cowraguardian.com.au/story/2332256/a-new-generation-of-friendship/

Carlo Vannucci on return to Italy continued his artistic passion with his involvement in the Carvevale di Viareggio: https://2017.gonews.it/2015/09/30/viareggio-carnevale-morto-carlo-vannucci-decano-dei-carristi/  The facebook group: Carnevale di Viareggio highlights a number of Carlo’s works. 

“La vacca capitolina” di Carlo Vannucci (Carro di prima categoria)terzo premio al CarnevalediViareggio 1979

Eliseo Pieraccini

In the Relic Collection of the Australian War Memorial, there is a sculpture that is attributed to Eliseo Pieraccini.  Hugh Cullimore Art Curator provides the following information: The two [photos] titled CR25408 are of the Pieraccini work we have, with scant details on its creation. I note its strong Art Deco appearance, a style that was sliding out of fashion by the time of the War.

Statue made by Eliseo Pieraccini (AWM CR25408)

What works of art did your father bring home from Italy?

Did they create an item in wood or metal?

Do you have a painting or sketch made by your nonno?

“Art washes away from the soul the dust of everyday life.”
― 
Pablo Picasso

A special thank you to Francesca Maffetti, granddaughter of Ippolito Moscatelli and Hugh Cullimore, Art Curator Australian War Memorial for their contributions to this article.

POST SCRIPT: The history of the Cowra Camp is complicated.  It consisted of 4 compounds: A, B, C and D each capable of accommodating 1000 people. It housed prisoners of war: Italian, Japanese, Korea and Formosan; and internees: Italian, Indonesian and Javanese.  Which group lived in which compound changed during the years of its operation : 1941-1946.

In 1942 Compound D was named: Special Camp 12 (D) for Italian prisoner of war Dysentery Carriers [amoebic and bacillary carriers].

Cowra Camp also housed children. Indonesian families were interned at Cowra in September 1943.

By 1944 Compound D housed Japanese Officers, Formosans and Koreans.

Such was the complexity of the prisoner of war and internment camps in Australia. 

A Portrait by Gulminelli

Brothers Marino and Mario Casadei arrived from India into Melbourne Australia on the General William Mitchell 13th February 1945.

Marino and Mario Casadei in a prisoner of war camp India (photo courtesy of Matteo Casadio)

The group of 2076 Italian prisoners of war on the General William Mitchell were the last group to be transported from India to Australia. The men were sent in all directions for farm work; as far away as Queensland and Western Australia.

From the group, 875 were sent to Cowra Camp. An unknown number did not go to farms but remained at Cowra Camp. Among the Cowra group were Marino and Mario Casadei, agriculturalists from Ravenna and Carlo Gulminelli, a clerk from Mezzano [ Ravenna].

About ten years ago Graham Apthorpe from Cowra sent the photo below of Carlo in his artist’s workspace at Cowra Camp to Matteo Casadio.

Carlo Gulminelli painted a portrait of Matteo’s grandfather Marino Casadei in September 1946. Marino’s portrait is sitting on the table, second from the left.  Marino took home his portrait: an original by Gulminelli.

Carlo Gulminelli Cowra 1946 (photo courtesy of Matteo Casadio)

Matteo explains that the family name is Casadio but the surname was registered as CASADEI for Mario and Marino in the Australian records.

Portrait of Marino Casadei painted by Gulminelli (photo courtesy of Matteo Casadio)

Marino’s grandson Matteo has recently made contact with Carlo’s son. Carlo Gulminelli continued to paint in Italy all his life. Carlo Gulminelli has become an important painter, his paintings are well rated and appreciated in artistic circles. Please clink on the following line for more information about Carlo Gulminelli : Patrimimonio Culturale dell’Emilia Romagna

BUT questions remain:

Who are the other men that Carlo painted?

Does your family have a portrait painted by Gulminelli?

Gift to Farmer

Angelo Capone’s gift to his employer and friend George Bury was an ornament he carved while in Cowra Prisoner of War & Internment Camp. It is a treasured Bury family memento from the time Italian prisoners of war lived on their Beerwah farm 1944-1945.

Rosemary Watt, daughter of George Bury has always wanted to know more about her dad’s eagle and the ringed insignia at the bottom. Angelo said that the ornament had been carved with a six inch nail as were the words: Cowra 21-4-42 Australia.

It wasn’t until Rosemary found a similar object in the Australian War Memorial that a more complete history of such objects was revealed.  The AWM relic is more expertly crafted as the pictures below attest, but the description reveals, ” The eagle is made from thin sheet lead or alloy taken from used toothpaste tubes.”

The Italian prisoners of war were resourceful and were known to repurpose and recyle items in the most unusual ways.  The cellophane belts made from the cellophane wraps from cigarette packets is another example of their resourceful abilities.

Fascist Eagle Desk Ornament

(Australian War Memorial Relic 33406)

Click on the link to read the description of the above Eagle from the Australian War Memorial

The Italian POWs left a number of reminders and/or political statements in the camps in Australia.  Italians made many statues at Hay PW Camp which included  the Colosseum, the she wolf with twins Romulus and Remus, an army tank and a fascist eagle sitting atop a plinth.

V-P-HIST-01881-16B.JPG

Statue of Fascist Eagle at Hay Prisoner of War Camp

Conflicting Times

Australian Soldier or Italian Internee

Interned June 1942

(Ipswich Times Thursday 13 June 1940)

My father Giovanni Devietti was from Corio in the Piedmont region of Italy.  It is about 26 km from Turin and about the same distance to the French border. Born in 1906, he was a young man of 21 when he migrated to Australia in 1928 onboard the S.S. Orvieto.

He was educated and had undertaken a university course as an industrial chemist. The National Fascist Party had been in power under Mussolini since 1921 so it is against this background of political unrest that my father came to Australia.  He told us how his parents worked in a leather factory and would walk to and from work.  One was expected to take off your hat if you passed a Fascist in the street as a symbol of respect.  My nonno was a social democrat.  He would change his direction, go into a shop or cross the street and keep his hat on, rather than acknowledge fascist rule.

When he first arrived in Ingham, dad worked on farms, but by the time he was naturalised in 1934, he was a business proprietor.  He had what today we would call a Deli, but I think that in those days  it was called an Emporium.  He supplied Italian made goods to the people in the Ingham district. He would go around to the farms and take orders from the Italians.  He was also a Commission Agent (Real Estate Agent). Part of his work was also interpreting and translating.  Italians who wanted to make application to sponsor relatives to come to Australia, those who wanted to make application for naturalisation and those who wanted to buy property often required someone to assist them with the paper work.

Gayndah.Devietti - Copy

Letter Head for G.Devietti 1934

With Italy declaring war on the 10th  June 1940, many Italian residents in Ingham came under suspicion as Fascist supporters.  From the school yard, I would see Italians in the back of utes after they had been arrested to be taken to the police station.  And then you would see them in rail carriages with bars as they were sent south for internment.

Suspicion fell on dad.  He was told to be careful: he was an educated man, was well known and had the potential to lead an uprising.  I travelled to Brisbane and read my father’s file in the National Archives of Australia.  There were pages and pages of information about his suspected involvement with the Fascist Party.  A letter was sent to Sydney CIB accusing my father of being the secretary of the Fascist Party in Babinda.  Letters went back and forward between CID in Sydney, Brisbane, Townsville, Ingham, Townsville, Cairns, Babinda.  Babinda police confirmed that they had no knowledge of a Giovanni Devietti working in Babinda and besides all fascist records had been burnt.  There was another letter written to CIB from a man in Ingham, known to my father.  He said that he saw Devietti crossing the street to talk with a friend.  The friend asked him “How is the war going” to which my father allegedly replied “The Greek and British are going to be ### by the Germans”.  My dad when talking to friends would have spoken his dialect, which this man wouldn’t understand, so there was no substance to the story.  The letters went back and forth with a call for ‘Devietti to be interned’.

My mother’s father was Antonio Origliasso and he had two sons:  Nicola (Nicholas) and Mario.  Nicholas arrived in Australian in 1912 with my mother and their mother (their father was already in the Ingham district). Mario was born in Australia.  Mario, the younger one, was called up in the army but later those with italian names had their arms taken from them and placed into a labour camp.  Nicholas, born in Italy, was called up later in the army and ended up fighting in New Guinea.  Luigi Betta of Halifax and two of his sons were also interned.  A third son was called up for army service, leaving the family farm abandoned. This son was able to challenge his ‘call up’ and was released so that he could work the farm.

Dad was called up for service with the army.  Maybe they thought they could keep an eye on him that way.  He was sent to Warwick and was involved in record keeping.  He wasn’t a good soldier and eventually was sent to Horn Island.  There was an airfield there and he was attached to the military hospital: 1 ACH (Australian Camp Hospital). Dad’s next transfer was to Cowra.  Possibly they were looking for people with a number of languages, and dad had English, Italian, Spanish and French.

Cowra was a big complex of 4000 prisoners of war.  He first worked with the Formosans: Compound D.  I think his Spanish came in use because Formosa was a Spanish and Portuguese colony.  According to dad, he didn’t feel secure working in this compound.  The armed guards were all old men and he felt that the young prisoners could overcome the guards quickly.  This was after the Japanese outbreak on 5th August 1944.  He was then transferred to one of the Italian prisoner of war compounds as a translator/interpreter.

cowra

Cowra Prisoner of War and Interment Camp after 5th August 1944

Dad not only worked in the Cowra compound, but he also was involved when the Italian POWs arrived on the ships.  As an interpreter he had deal with the antics of the Italian POWs.  One story was about getting the Italians onto or off a truck.  They would play dumb.  Instructions would be given: “Get off the truck” or “Get on the truck” and they would just stand there.  Or they would climb onto the roof of the truck.  Dad had to sort out not just the language and communication side of things but also the behaviour. He would often tell the officers “All is well” as to tried to made sure the POWs complied with the orders.

italian-pow-2

Italian Prisoners of War waiting to board a train bound for a prisoner-of-war camp

The Italian POWs at Cowra ate well, better than the army soldiers and interpreters.  There was the story that the Italians would have to go out to work on the farms and had these buckets or milk pails with them.  Dad noticed that when the Italians returned, the pails would seem quite heavy.  Dad realised that they were bringing something back to camp: vegetables.  Eating with the Italian POWs was preferable to eating in his own mess, which he did often.

Somewhere in there mum and I moved to Brisbane up near St Pauls Terrace.  I went to a school on Leichardt Street.  Mum worked at Momma Luigi’s on St Pauls Terrace and I would help out there on weekends.  It was a Brisbane institution.  The American soldiers would be lining up on the street to get a meal of spaghetti and meatballs.

I think by that time dad was in Gayndah at the POW centre there.  I remember visiting Gayndah to see dad.  It was cold and we had a fire where we stayed.  He worked in a longish building like a hall in Gayndah.  Dad did all the interpreting and I suppose he censored the POW mail.  Dad’s comments were that most Italians were easy going.  They enjoyed going rabbit hunting and while the farmers allowed them rifles, this was contra to rules.  There were those with fascist ideas, but I think they were dealt with quickly if they caused any trouble.

Ingham has another link to Italian prisoners of war because an escaped POW cut cane in Ingham. His name was Alberto Bandiera and he had escaped in September 1946 and surrendered in Brisbane February 1950. The police questioned dad about this but he denied any knowledge.  Bandiera was repatriated on the ship which brought out my cousins to Brisbane Surriento. They arrived 23rd February 1950 and Alberto Bandiera was repatriated onboard on the 24th February 1950.   In time, he returned to Australia and worked at Peacock Siding. Bandiera wasn’t the only escaped POW the police were looking for.

Joe Devietti

6th July 2017

POW Ricordo Cowra

1.1.45

Artefacts made by Italian Prisoners of War are rare. While there are many memories of the gifts made by the POWs such as rings, engravings and wooden objects, there are few items still in existence.

So an email from David Stahel in Brisbane is very exciting. David owns a boxed chess set made by Italian POWs in Cowra.  It is not only beautiful but it is special because of the story behind the board.

Cowra Chess

Badge on Chess Set

( from the photographic collection of David Stahel)

 

The Italian prisoners of war were making chess sets in 1944, when Geoffrey McInnes captured them on film.  And quite possibly David’s chess set was one such set made by the Italian POWs. The photo below shows five Italian POWs working on a lathe built from salvaged timber and metal to produce chess pieces. The sets were sold for 35/- to Army Amenities Section.

Cowra Chess AWM 4134226

(AWM Image 064356 Photo by McInnes, Geoffrey Cowra, NSW. 1944-02-07)

David’s chess sets adds detail to the history of the chess sets being made by Italian POWs at Cowra.  “My father had a chess board that he told me he bought from an Italian POW for some packs of cigarettes.  I grew up with this board and learnt to play draught and chess on it with my father… the painted watercolour scene (unsigned) is very reminiscent of the Italian countryside.  The workmanship of the board and pieces are of a very high standard. Inside is quilted with a satin like fabric. Pawns, rooks, bishops, kings, queens, draught have been turned on a lathe which the knights are carved from a turned base… My father was a lieutenant in the artillery, specifically in the anti aircraft arena,” writes David Stahel.

Cowra Chess Pieces

Boxed Chess Set

( from the photographic collection of David Stahel)

The concept of Italian POWs selling boxed chess sets for 35/- raises a few questions.  POWs were not allowed to have in their possession Australian currency, so what happened to the proceeds of sales.  Quite possibly funds were deposited into the canteen fund.  Profits from the canteen were used by POWs to purchase books for the camp library. Prisoners of war were allowed access to books and music to further their studies and libraries were established in camps. Additionally, access to books and music was a way for POWs to usefully occupy their leisure time.

 

Stefano Lucantoni: In his spare time

Marco Lucantoni from Napoli has a special collection of items belonging to his father Stefano Lucantoni.  As a prisoner of war in Australia, Stefano kept himself occupied in several ways.

Lucantoni Libya.jpeg

He had a lot on his mind: his family. His wife Egle was pregnant when he had last seen her in 1939.  His son was seven years old before father and son met.

A special thank you to Marco and his brothers for sharing Stefano’s treasured keepsakes.  Relics like these give credence to the historical accounts. They tell the personal history of Italian prisoners of war in Australia.

CHESS

Stefano took home with him a beautiful chess set made in Cowra. Featuring the Sydney Harbour Bridge, the image was a reminder of Stefano’s arrival in and departure from Sydney: 1941 and 1946.

Lucantoni (8)

PLAYS

In Cowra on the 28th June 1946, a group of Italians staged L’Antenato a Commedia in 3 Alli. Stefano played the part of Egidio.

The carefully designed and produced programme highlights the efforts the men made for their production. The play was written by Guerrino Mazzoni, the sets created by Eliseo Pieraccini and Carlo Vannucci. Montaggio by Stefano Lucantoni, Renato bianchi, Felice di Sabatino, Luigi Proietti, Armano Mazzoni and Cesare Di Domenico.  Performers were Bruno Pantani, Guerrino Mazzoni, Carlo Vannucci, Tarcisio Silva, Bruno Dell Amico, Guigi Giambelli, Renato Bazzani, Marcello Falfotti, Alvise Faggiotto, Stefano Lucantoni. Suggestore was Giuseppe Carrari.

They were men from all walks of life: electrical engineer, butcher, clerk, mechanic, plumber, butcher, decorator, policeman, farmer, blacksmith, carpenter.

Lucantoni (2)

Lucantoni (3)

EDUCATION and LANGUAGE CLASSES

Lucantoni (1)

It was considered imperative that POWs occupied their leisure time usefully and the policy was to provide opportunities for POWs to further their studies.  Libraries in the camps were established and canteen profits used to purchase additional text books relevant to courses undertaken. Books from overseas were allowed in the areas of banking and financial, medical, scientific, art, economics, music, agriculture, religion, trade and commerce as well as periodicals of a general literary nature. Grammatica – Italiana – Inglese is Stefano’s exercise book from these language classes and shows his meticulous notes.

Lucantoni (9)

The book, Pidgin English for Italian Prisoners of War was specifically published and given to Italian POWs being allocated to farm work under the Prisoner of War Control Centre: Without Guard scheme.  Some of the sections were: Tools, Machinery, Farm Produce, Animals, Hygiene and Medical, Family, House and Conjugation of Verbs.

Lucantoni (6)

Stefano’s third book, Piccola Guida per Gli Italiani in Australia was written by Padre Ugo Modotti December 1944.  He worked closely with the Italian migrant community in Melbourne from 1938 to 1946.  He wrote this booklet for the Italian migrants.

On 9 March 1945, the Directorate of Prisoners of War was aware of this booklet and on 31 March 1945 approval was granted to distribute Picolla Guidi per Gli Italiani to the Italian prisoners of war in Australia.

By 1945, there was a relaxation in how the Italian POWs were viewed.  While they were still POWs, they were not considered a high security risk.  It was also a time when the Italians were thinking about life in Australia after the war and requesting permission through their farmers to stay in Australia and not be repatriated.

A guide for Italian migrants to Australia, this book gave the Italian POWs information to prepare for the time when they would return to Australia as migrants and free men.

METAL WORK

A story of love and a story of imprisonment.

The ring shows the intials E and S entwined and signifies the love of Stefano and his wife Egle.  Made in silver and another metal, the silver was obtained from Australian coins eg florins and shillings. Although it was forbidden for POWs to have Australian currency in their possession, necessity and ingenuity always find a way around the rules.

Lucantoni (7)

The emblem is carefully crafted with the words: Ricordo Campo 12 A Cowra and entwined initials POW. It was the badge for the chess set.

Lucantoni (4)

LETTER WRITING

Lucantoni (5)

This card was printed and distributed for Natale 1944. A bucolic Australia landscape of sheep, gum trees and space.  Despite processes in place for prisoners of war to send postcards for Notification of Capture and Transfer of Prisoner, Stefano’s wife believed him dead and asked the Red Cross to try to locate some information about him.

In September 1941, Egle received a letter from the Red Cross telling her that her husband was a prisoner of war in Australia. Instructions were given to send mail to: Posta per prigionieri di Guerra, Australia.

Any wonder why mail was lost and months and sometimes years passed before mail was received.  The image on this postcard was very foreign to Stefano’s family, but its arrival conveyed love and hope.

Lucantoni Stefano and Egle

Stefano and Egle: Happier Times

A special thank you to Marco Lucantoni for the photographs used in this article.

The Cowra Fountains

The Cowra Fountain

(ICRC V-P-HIST-01881-01 New South Wales, camp of Cowra. Fountain.Guerre 1939-1945. Nouvelle-Galles du sud, camp de Cowra. Fontaine. )

Two Cowra Italian POW fountains have been uncovered and partially reconstructed. The larger of the two was used as a backdrop to the group photos. These group photos were taken of the Italian prisoners of war in September 1943 and February 1944. Some Italian families are fortunate to have seen their father or grandfather, posing with other Italian prisoners of war for a photo, in front of this fountain.

An archaeological assessment of the Cowra Camp reports, “ In contrast, are the remains of formal gardens established by the Italian POW are extant within the area of the Italian Compound A. They illustrate the transfer of cultural actives by the Italian prisoners into their new enforced environment. The construction of fountains using methods, possibly ethnic origin, is of exceptional research interest and reflects the prisoner’s expressions of their homeland and culture.” : Archaeological Assessment for the site of Prisoner of War Camp 12 Cowra, NSW. October 2003, Dr JL Tracey and Dr MM Tracey.

During the excavations a panel with A XXI EF was discovered, this dates the fountain to the twenty first year (Anno XXI) of the Fascist Era (Era Fascista): October 29 1942 to October 28 1943.

Fountain Inscription XXI EF(Cowra Guardian September 17 2014, Cowra-Italy Friendship Association resolves to support museum push)

Views of the Italian section at Cowra POW Camp (https://shortysrvadventures.com/2017/07/29/days-100-101-chilling-in-cowra/)

By 2014, archaeological work had uncovered the remnant of the fountains, and the smaller of the two fountains has been reconstructed. Two men responsible for the unearthing of the collapsed fountains and subsequent partial reconstructions were George Ridley and Richard Bell.

Richard Bell and George Ridley

(Cowra Guardian September 17 2014, Cowra-Italy Friendship Association resolves to support museum push)

Reconstruction of the smaller fountain (Lyn W April 2016 Tripadvisor)

Fragments of concrete are important reminders of a history which is relevant and important for thousands of Italian families. They link the past with the present; they give a context to photos or memories.

There are also almost invisible links to this history. The photo below is testament to this: Amante, Guarnaci, La Iacona were all sent to Gympie Queensland for farm work and they are all from Sicily; Vizzini and Giarratano are from Villarosa (Enna); Bloise, Armentano and Amoroso are from Mormanno (Cosenza); Foringo and Gordini are also from the province of Cosenza.

Cowra, NSW. 6 February 1944. Group of Italian prisoners of war (POWs) interned at No. 12 POW Group. Back row, left to right: 57037 A. Amante; 57273 G. Guarnaccia; 57288 G. La Iacona; 57252 S. Giambusso; 57051 C. Avola; 46957 S. Vizzini; 57257 G. Giarratano. Front row: 57268 M. Gordini; 57070 L. Bloisi; 57046 R. Armentano; 57038 S. Amoroso; 57226 D. Foringo. Note: The number is an assigned POW number. (AWM Image 030173/15 Photographer: McInnes, Geoffrey)

Notice also the the difference in the gardens between the first photo and the 1944 photos of the fountain. The shrubs have grown and are neatly trimmed. The 1944 photo below is taken at a slightly different angle, which highlights two gardens.

Cowra, NSW. 6 February 1944. Group of Italian prisoners of war (POWs) interned at No. 12 POW Group. Shown here are: 49777 Father F. Lenti, Military Chaplian; 57147 A. Cerrutti; 49593 A. Poggi; 57534 G. Quintiliani; 49557 A. Mercurio; 49439 G. Carrari; 45953 G. Lo Russo; 57431 F. Pelliconi; 57122 N. Chiaranta; 57521 A. Vezzola; 57289 R. La Notte; 57136 P. D’Autilia; 48214 F. Mainardi; 57102 F. Caraccio; 45006 B. Arbasi; 57432 G. Pennacchio; 45739 M. Gatti; 57118 N. Cerreto; 46466 A. Piermattei; 57528 F. De Scisciolo; 49621 L. Piervirgili; 57196 P. Di Siena; 57227 F. Fornari; 57171 V. De Lucia; 57318 M. Lullo; 57278 C. Iacolari; 57339 G. Manda; 46264 N. Monteleone; 57355 S. Martella; 57293 C. La Rosa; 45169 C. Catuogno; 57435 T. Peruzzini; 57277 R. Iacobucci; 57402 G. Napolitano. Note: The number is an assigned POW number. (AWM Image 030175/04 Photographer McInnes, Geoffrey)