Do you recognize your nonno in one of the photos?
The photos are from the Archives of the International Committee for the Red Cross.
Photos of Myrtleford Camp are also available for viewing at http://www.awm.gov.au
Do you recognize your nonno in one of the photos?
The photos are from the Archives of the International Committee for the Red Cross.
Photos of Myrtleford Camp are also available for viewing at http://www.awm.gov.au
Rosary beads are one of the most recognised symbols of Catholicism.
Before I received this photo from Rocco Severino De Micheli, I had not thought about rosary beads and prisoners of war. But for a catholic, rosary beads are important.
Graziella from Cormano Lombardia provides her personal perspective, “Rosary is a powerful weapon against evil. It means CROWN OF ROSES and every time you recite a Hail Mary, with a bead, it is like giving a rose to the Virgin Mary. I say this prayer every day and I always have a rosary in my bag and another one under my pillow. When you hold a Rosary in your hand you feel protected; you are under the mantle of the Virgin Mary and whatever happens you are protected.”
from “Il Cardinale Panico e la sua terra”- Congedo editore – Galatina 1995
The apostolic delegate Giovanni Panico is photographed distributing rosary beads to prisoners of war in Gaythorne Camp Queensland*.
a small but significant gesture
Another interesting reference to rosary beads comes from India. Italian prisoners of war in the British camps in India made requests through the YMCA (Young Men’s Christian Association) for sandalwood and carving knives so that they could make rosary beads.
Rosary beads are like prayer beads used in other religions. To pray the rosary is to recite specific prayers corresponding with particular beads on the string.
A rosary is a made up of a crucifix, one larger bead, three small beads, another larger bead and then a medal. After the medal comes a larger bead again, followed by a group of 10 smaller beads.
Rosary beads are a symbol of religion: a souvenir of your home, parish church, your youth; a reminder to pray.
What did rosary beads mean for the Italian prisoners of war?
*If the photo is dated 1942, then the only residents of Gaythorne Camp were internees, Australian resident Italians who were arrested in parts of Queensland and sent to Gaythorne Camp before onward movement to southern camps.
*If the men in the photo are Italian prisoners of war, then the photo would have been taken from October 1943 onwards.
The image below is of a WW 2 Pull Chain Rosary. Another smaller version of the rosary is the rosary circle.
Domenico Ippedico was one of the Glen Innes POW workers. A handsome young mason from Gravini [Bari] he told his family that working on a farm after being in camps with barbed wire was a good situation.
His daughter Anna shares that the farmer’s daughter fell in love with her father. But like many such romances between an Aussie girl and an Italian POW, the relationship could not continue.
Domenico was in the Glen Innes district from June 1944 to January 1945. He had two admissions to the Glen Innes District Hospital during that time.
Unfortunately for prisoners of war who were in Queensland or New South Wales, there is no extra file containing identity photos or the name of the farmer. Domenico’s stories to his daughter Anna about life on an Australian farm were happy memories. Through her father’s stories, Anna feels a connection to Australia; a place where Domenico lived for two and a half years.
Domenico came to Australia as a ‘forced migrant’; a group of Italian who because of circumstances out of his control temporarily called Australia home. For the Ippedico family, there will always be a special connection with Australia. Many decades later, Domenico’s granddaughter found her way to Australia. Francesca teaches Italian at a bilingual school in Melbourne.
Domenico as a prisoner of war lived in a bilingual world. Like many of his peers, he took opportunities to learn English. Living with a farming family would have assisted his mastery of English together with the lessons in his book “L’Inglese in Tre Mesi”.
L’Inglese in Tre Mesi (photo courtesy of Anna Ippedico)
Read more about Italian Prisoners of War in Glen Innes district: https://www.gleninnesexaminer.com.au/story/6276170/italian-prisoners-of-war-in-glen-innes/
A little of the background history:
Against a backdrop of anti-Italian sentiment, in December 1943 a POW centre was approved for Glen Innes. The POW centre office (Prisoner of War Control Centre: PWCC) was situated besides the Grand Theatre. Captain JJ Owens was in charge of the administration of allocation of Italians to farms.
For the centre to be established 30 district farmers had to submit applications. In November 1943, only 8 applications had been received by Mr Furby from the District War and Agricultural Committee. The application form was comprehensive, detailing the regulations of the scheme: Prisoner of War Control Centres: Without Guards. Below is an example of a form used in South Australia.
Employment Agreement to Employ Italian Prisoners of War (NAA: D2380)
Fear of the ‘unknown’ is a powerful influence.
One Glen Innes farmer declared, “My idea is that we would be better without prisoners of war.” His concern was that when he was in the paddock working, his wife might be left at home on her own with a couple of prisoners who could not speak English.
Other farmers feared the power of trade unions. If a farmer employed Italian prisoners of war, then in the future, no unionised worker would want to work on that farm.
Despite opposition for Italian POW workers and threats by locals that they would rather their farms go bankrupt than employ the POWs, approximately 100 Italians worked on district farms from December 1943 to December 1945.
Necessity is a powerful motivator: farmers needed labourers.
In March 1944, Mr Furby reported lack of evidence against the use of POWs was the best explanation as to why the Italian prisoners of war were of no threat to local residents. At that time, there were 69 Italian workers in the Glen Innes district and ‘everyone says they work like sons of guns’ and that one farmer says ‘he can’t knock them off from working.’
“Mr Furby said there had been excellent reports about the cleanliness and general suitability of the prisoners made available. In some instances it was considered they looked after the farmers better than the farmers themselves.
As to safety of the womenfolk, the opinion had been expressed that women were safer with most of the Italian prisoners than they would be with many Australians.” [1943 ‘P.O.W. LABOR’, The Inverell Times (NSW : 1899 – 1907, 1909 – 1954), 17 November, p. 5. , viewed 22 May 2021, http://nla.gov.au/nla.news-article263355284%5D
Employment Contract for Italian Prisoners of War (NAA:7919)
Fear of the ‘unknown’ also relates to the Italian prisoners of war. What did they know about Australian farming methods? How were they going to communicate with the farming family? Would they be treated like a slave? It was a ‘leap of faith’ for the Italians to transfer from their known world: camp life behind barbed wire to the unknown: living on a farm with an Australian family.
The Department of Army was committed to ensuring that this employment scheme would work. Inspections of proposed accommodation for the Italians were made before the prisoners of war were sent to a farm. A language book, Pidgin English for Italian Prisoners of War was published to assist with communication between farmer and worker. Regular visits to each farm by Australian army staff ensured that any minor concerns could be discussed and/or rectified. The commanding officer of the POW centre would respond immediately to any complaints of major discipline issues a farmer might have experienced.
Across Australia approximately 13,500 Italians prisoners of war worked on farms or on government projects. This workforce of ‘forced migrants’ made a valuable economic, social and cultural contribution to war time Australia.
Domenico Ippedico (photo courtesy of Anna Ippedico)
A gardener from Tursi in the province of Matera, Salvatore Targiani was in Australia for less than two years. He arrived in Sydney on the Queen Elizabeth on 15th October 1941 and departed from Sydney on the 29th March 1943.
His grandson Salvatore Di Noia has shared with us a wool embroidered portrait of the Sacred Heart of Jesus.
Portrait of Sacred Heart of Jesus
(photo courtesy of Salvatore Di Noia)
This is our ‘virtual’ museum’s first embroidered item sewn with the word Australia. Before Salvatore sent me this photo, it appeared that embroidery was only done in the camps of India. Every day, I learn something new about this history.
Salvatore has not only embroidered the words Benedico questa famiglia a me lontana: Ricordo della prigionia in Australia but he has also embroidered his Middle East prisoner of war number: 69876.
Queen Elizabeth disembarked 948 Italian prisoners of war on 15th October 1941. There were 25 Italian officers among the group.
The National Advocate (Bathurst NSW) reported the arrival of the Queen Elizabeth:
NERVOUS OF PLANE
WAR – WEARY ITALIAN PRISONERS
Another Batch in Sydney
War weary Italian prisoners thrust their heads nervously out of their train windows after they had been landed at Sydney when they heard a Brisbane-Sydney air liner overhead.
Ragged ill shod and with sullen eyes, they looked even more dejected and wretched than earlier arrivals who had also been rounded up by the AIF in Libya.
Some still wore their field grey uniforms. Others not so fortunate wore drill overalls and others still less fortunate were dressed in old trousers and odd coats or jackets.
Some stepped out boldly in their march from ferry to train in hobnail boots on which still lingered the dirt and grime of the Libyan desert.
Some wore sandshoes or sandals while others shuffled along in makeshift footwear.
Their headgear was also of a wide ranger, including sun helmets, caps, berets, and pieces of blanket fashioned into queer shapes.
Apparently to help pass the time on the voyage to Australia an artist had decorated his sun helmet with drawings of ancient Athens, the Acropolis, a woman’s face and two hearts.
Goatee beards were popular. One soldier sported an excellent moustache of 1900 vintage.
There was a small number of German prisoners all of whom were officers. They were well dressed and contrasted sharply with the Italians. [1941 ‘NERVOUS OF PLANE’, National Advocate (Bathurst, NSW : 1889 – 1954), 15 October, p. 1. , viewed 19 Apr 2021, http://nla.gov.au/nla.news-article160507243%5D
This group of Italian prisoners were sent by train to Cowra: Cowra November 1941
My research into Italian prisoners of war in Queensland has a number of public faces: the book Walking in their Boots, the website: italianprisonersofwar.com and the facebook page: Prigionieri di guerra Italiani in Australia
It was through the facebook page that I received notification from Nino Amante in Italy. On 23rd March 2018, Nino wrote, “Sono il figlio di Angelo Amante, il più alto nella foto.” Nino had not only found a photo of his father on the facebook page but he then found the website’s article, A Day in the life of … and comments about his father’s time working on a farm ‘Redslopes’ at Goomboorian via Gympie 72 years ago.
This was an accident. Nino had been searching the internet for an article about his son, named for his grandfather, Angelo Amante, and instead found his father. Nino was overwhelmed.
I believe that things happen for a reason. I do not know the chances of bringing together the son of an Italian prisoner of war and the son of a Goomboorian farmer. But a google search and a phone call* has brought together the two sides to this history.
Nino Amante’s words and contact has brought this story ‘full circle’. “E’ stata per me una grande emozione avere delle informazioni da aggiungere a quelle raccotle dall sua viva voce, quando mi parlava del period della sua prigionia,” Nino reflects. Nino not only has knowledge about his father’s time on this farm, but he has a connection to Jim and John Buchanan who were young boys at the time and who have fond memories of Angelo.
More importantly, Angelo’s story before and after ‘Redslopes’ emerges. At 19 years old, Angelo Amante began his military training, first in Turin and then in Bolzano. He was a member of the 7th Reggimento Bersaglieri(marksmen). He was then transferred to Taranto and in 1941, he left Italy by ship for Libya. He was lucky to survive the journey to Libya, as many soldiers died after the fleet was bombed by the British.
Angelo was captured at Gialo, a Libyan oasis town on 25th November 1941. Gialo was taken by British and Punjabi troops on 24th November 1941, but a small group of Italian soldiers continued fighting in the north east El Libba sector. After four hours of combat, two Italian had been killed and 27 Italian soldiers were taken prisoner.
Possibly the photo below of a relaxed Angelo was taken at Benghasi, his first experience of Libya. Like many of his generation, Angelo spent ‘his youth’ in foreign and difficult circumstances. He returned home to Italy when he was 25 years old. Nino explains, “Sei dei suoi anni piubelli trascorsi fra guerra e prigionia.”
Angelo’s journey is like many of his peers. Italy to the battle field to Egypt to India to Australia to Italy. Angelo arrived in Melbourne Australia 29th December 1943. The next day he was in the Cowra PW & I Camp. His time there is recorded in a group photo Cowra 6th February 1944. Ten days later, Angelo was sent to Gaythorne Queensland 16th February 1944.
Before Nino’s internet search, he had one photo and the stories about his father’s time in Australia, but he did not know dates or places. Nino says, “Sapevo che mio padre era stato in Australia, ma in quale parte di Australia? Che era vissuto in una fattoria, ma quale fattoria?” But his time in Australia was always remembered with fondness, a place to which Angelo wanted to return. In 1956, Angelo made preparations to emigrate to Australia with his wife and family. During a medical visit, it was discovered he had a small heart problem and his dreams of going to Australia ended. But his family kept safe a small photo of three men and two boys, knowing that it was an important part of Angelo’s memories of Australia.
For over seven decades, this photo did not have a context. Nino knew that the photo was from his father’s time on a farm, but he did not know where in Australia this farm was located. Angelo told his family a story about chilli plants he had grown on this farm and now he knows it was Jim, a little boy who tasted the chilli with severe repercussions. Angelo told his family about a trip to the city, to undergo a medical visit at the hospital and the wonder of seeing so many kangaroos on the way.
Jim’s memories and Angelo’s stories to his family are being slotted together. Nino writes that his father arrived in Australia from POW camps in India with very poor health. Angelo had contracted malaria and Nino remembers the story of an old lady on the farm who realised the seriousness of his condition and encouraged him to eat and the need for him to regain his strength. Jim knows exactly who this lady was, his Aunty Mag [Margaret], who was the matron (supervisor) for the Land Army girls on the farm. Angelo’s visit to the Gympie Hospital is recorded in the farm diary: August 21 1944 – Angelo going to hospital. And the stories travel back and forth between Italy and Australia and across the decades.
Upon Angelo’s return to Italy, he made his way home to Fiumefreddo di Sicilia and his widowed mother. Angelo married in 1953 and moved to Mascali, his wife’s home town. He continued to work the land and raised his family: Nino and Giuseppina. In 1984, Angelo passed away at the age of 63.
The sharing of stories and memories, the answering of questions and the ‘Miracoli di Internet!’ is like finding those missing pieces in the jigsaw puzzle and finally being able to put them in place.
*In September 2017, I telephoned Jim Buchanan in Gympie. I had been told that he was the person to speak to about some of the Italian prisoners of war in the Gympie district. Jim’s words to me were, “I think you will be surprised with what I have to tell you. I don’t think you will have found another one like this.” And surprised I was!
Jim’s father Neil Buchanan had kept a farm diary for ‘Redslopes’ at Goomboorian. Peppered through the entries from 7th March 1944 to 1st January 1946 are references not only about farm life, but also to the Italian prisoners of war at ‘Redslopes’. This diary offers a very unique and firsthand account about the employment of Italian prisoners of war.
On 24th March 2018, I telephoned Jim again. I told Jim that I had some extraordinary news for him. Angelo’s son had sent me an email. It took a few minutes for the news to sink in. Jim is rarely lost for words. I said to Jim, I wonder if Angelo took any photos home to Italy with him. Nonplussed, Jim felt that this is not probable as very few photos were taken in those days. Like Nino Amante, this journey for the Buchanan family is emotional and remarkable.
In a beautiful tribute to his nonno, Damiano Lumia recorded the voice of Antonino Lumia telling his story as a soldier and a prisoner of war.
Antonino’s journey begins in Sicily and listening to his voice, we follow in his footsteps from his home town of Bompensiere to Toburk and Benghazi, then Australia. Finally, Antonino takes us back to Italy and his family.
Antonino Lumia begins his story with,
“My dear grandson, I had a lot of trouble. When they called us…”
and ends with…
“I saw your grandmother. I came down. I came home. I rushed to your father. Here is my story, dear grandson. The sufferings were severe, dear grandson”.
Damiano’s video Antonino Lumia POW in Australia 1941-1946 combines images of Bompensiere with photographs and documents from Australian War Memorial and National Archives of Australia to take the viewer on an intimate journey through time.
Antonino’s memories are told with humour and melancholy. English subtitles combined with Antonino’s voice, makes this accessible for those who only speak English. More importantly for those Queenslanders who have memories of ‘their’ Italian POW, it brings back to life their voices: the timbre and musicality of the Italian language.
“Footprints of Italian Prisoners of War in Queensland” has always been about connectivity between people, with the past, between Italians and Australians, with memories and history.
I am honoured and humbled that Damiano Lumia’s video has become part of this project for the oral histories of Italian prisoners of war are paramount to adding depth and perspective to this project.
Another aspect of the project has been to connect people with information. Research has provided Damiano with details about Antonino’s time in Queensland. Antonino Lumia was assigned to Q3 PWCC Gympie along with Giovanni Adamo. They were employed by Mr R – Mr Kevin John Rodney of North Deep Creek from 14 March 1944 to 4 January 1946. Miss Gloria, mentioned by Antonino is Miss Gloria Davis from Auchenflower. Mr R and Miss Gloria were married in St Stephen’s Cathedral in Brisbane on 6th May 1944.
Antonino remembers with clarity when he first met Miss Gloria. “The farmer was back. You could hear the horn of his car in the distance. His wife was with him. I had planted very beautiful flowers near the hut. I mad a bouquet of flowers. When they arrived near us… I offered flowers to his wife. He introduced us to his wife: Miss Gloria. They went home. For us the work continued. The next morning Madame served us the meal. A very nice woman. Every morning I brought wood to this woman for cooking”, speaks Antonino.
Antonino Lumia’s testimony is not only a voice from the past but also an important window into the past. Click on the above link and take a walk with Antonino through history.
HAY, NSW. 1944-01-16. ITALIAN PRISONERS OF WAR HAVING A MEAL IN THEIR MESS AT NO. 7 COMPOUND, 16TH GARRISON BATTALION PRISONER OF WAR DETENTION CAMP. PICTURED ARE: 46007 ANTONIO LUMIA (1); 45824 BRUNO GALLIZZI (2); 46734 ALMO STAGNARO (3); 48355 GIUSEPPE ARRIGONI; (4); 45087 ANTONIO BACCIGALUPO (5); 46620 MICHELE RIZZO (6); 46626 EMILIO RUOCCO (7); 46635 FRANCO RONDELLI (8); 45900 ALESSANDRO IANNOTTA (9).
(Australian War Memorial, Geoffrey McInnes Image 063371)
Liborio Bonadonna was a private in the Italian Army, serving with the 231 Legion Militia when he was captured at Buq Buq on 11th December 1940. The Battle of Sidi Barrani was the opening battle of Operation Compass and 38,300 Italians were captured at Sidi Barrani and Buq Buq from 10 – 11 December 1940.
A young farmer from Gela Caltanissetta, Liborio was living in Tripoli along with his wife and his parents when he joined Mussolini’s war. His father, desperate for his son’s safety, fell prey to unscrupulous agents who, for a sum of money, promised the repatriation of their family members who were prisoners of war.
In a letter sent to Liborio, his father Carmelo Bonadonna wrote on 21st December 1943:
Dear son, here it was said that prisoners who are sons of farmers, were to be repatriated on the payment of six thousand lire, and I, for the great affection I bear you, was one of the first to pay; in fact they asked us for one of your letters in order to have your address. Up to the present, we have seen nothing. Imagine, dear son, how happy we all in the family were for just then I did not know what I could do for the love of you.
Liborio had spent almost three years in camps in India and would not arrive in Italy for another three years. The actions of his father however highlight how anxious the family were to ensure a safe and early return of Liborio.
From Cowra, Liborio was assigned to work on farms at N8 PWCC Orange and N24 PWCC Lismore. Suffering on-going health issues, he was sent to local and military hospitals and was eventually transferred to Murchison for consideration for early repatriation on the basis of medical grounds.
Such was his health, he was on the list to embark on the Andes which left Australia on 3rd August 1945. Unfortunately, on 16th July 1945 he was sent to 28 Australian Camp Hospital at Tatura which was part of the Murchison POW complex. He missed early repatriation and was to stay in hospital for two and a half months.
The irony of his situation was that while he was approved for early medical repatriation he was too unwell to travel. His medical condition had deemed him ‘medically’ unfit to work and gave him priority for repatriation on medical grounds. During 1946, several transports for special circumstance cases, left Australia for Naples but Liborio was overlooked.
While he considered himself to be well enough to travel, he was identified as having need for specialist medical attention during the voyage to Italy. He could only be repatriated once as specially fitted out ship became available.
On 10th September 1946, in a letter to the Camp C.O. he presented his case:
Just at the time when the repatriation of the sick was to take place I was in the Waranga military hospital whence I was discharged early in September…
The present repatriation lists from which I have been exclude because repatriation is to be effect by ordinary means (i.e. in ships not especially adapted for transport of the sick) include nearly all the sick who, like me, were then considered as needing attention during the voyage.
Today I will to inform you that, notwithstanding a year’s stay in camp without any special treatment, my condition is such as to enable me to stand the possible discomforts of the trip home; I therefore request to be reinscribed on the above mentioned list, taking upon myself the full and complete responsibility in the event of any possible deterioration of my health.
My family live in Tripolitania and it is my urgent wish to rejoin it in the shortest possible time. To the above I can only add the prayer that you will kindly consider my request.
The Empire Clyde* returned Liborio to Italy. It was a Royal Navy Hospital Ship which departed Sydney for Naples on 12th December 1946. There were 226 Italian prisoners of war on board who had embarked at Sydney, Melbourne and Fremantle.
But Liborio’s return to his family in Tripoli was further delayed. Once he arrived in Naples, he required an operation. Fighting bureaucracy, he tried to gain permission several times to reach Libya and his wife and parents.
Liborio’s grandson, Liborio Mauro says that “He told her [my grandmother] if I’m not able to join you, I would like to go back in Australia. After 3 times, he finally joined my grandmother in Libya where my father Carmelo was born in Tripoli in 1949.”
Tracing Liborio’s journey as a prisoner of war has not been an easy on. His grandson explains that his records have his name spelt incorrectly: BUONADONNA instead of BONADONNA, LIBRIO instead of LIBORIO.
But passion and determination on the part of grandson Liborio has ensured that Liborio Bonadonna’s story is told and his records and photographs of his time as a prisoner of war in Australia are with the family.
Liborio Mauro says, “All my family are happy and my father is crying for happiness. My grandfather was the most important person in my family. He was a true gentleman, well-educated and everyone fell in love with him. He was a strong and simple man.”
*The Empire Clyde was a British Navy war prize from the Abyssinian campaign. It was formerly an Italian passenger liner Leonardo da Vinci.
Sometimes it is the little items which catch my eye.
Prisoner of war uniforms has left me quite perplexed.
For a few years now, I had noticed the black stripe down the side of trousers. This however only seemed to be for Italian POWs who had time in India.
This was confirmed by Domenico Ferulli’s recollections:
Ad Ismailia, località al centro del canale di Suez, sono cinque giorni chiusi un un recinto nel deserto. Sono spossati fisicamente e con il morale a terra. La notte è talmente freddo che molti sono costretti a bruciare la giacca o le scarpe per riscaldarsi. Per cucinare si usa la paglia. Fatti spogliare e fare una doccia tutto il vestiario è ritirato e bruciato in alcuni forni. Periscono incenerite anche le migliaia di pidocchi, che da mesi hanno tenuto fastidiosa compagnia! Assegnano a ciascun prigioniero: una giacca leggera color cenere con una toppa di stoffa nero quadrata cucito dietro le spalle, pantaloni lunghi con banda nero, scarpe nuove, sapone per la pulizia e persino dentifricio con spazzolino da denti.
Italians Taking Communion in a British Camp in India 1943
Suddenly, everywhere I looked, I saw the black diamond sitting squarely between the shoulders of a light colour jacket and shirt, as well as the black stripe down the leg of shorts and trousers.
Many of the clothing items the Italian soldiers brought into the camps in Egypt were infested with lice or fleas. It makes sense that these uniforms were burnt and new ones issued.
In May 1943 it was reported that Italian casualties (deaths, missing and prisoners of war) were 400,000.
Logistically, how did the Allied Forces procure 400,000 replacement clothing and find staff to sew on patches.
And what did these patches represent! Was there a code relating to intended destinations for the prisoners? Or was the allocation of uniforms random?
Prisoners of war in England wore a dark coloured uniform with either a pale coloured circle shaped patch sewn on the right leg or a diamond patch on the right leg.
Emilio Clemente is standing on the right of the photo
Prisoner of War Uniforms with patch on right trouser leg
English Prisoner of War Camp courtesy of Mimosa Clemente
Then I noticed an Italian prisoner of war in November 1941 at Cowra camp wearing a black diamond shaped patch on the backside of light coloured trousers.
The Italians who arrived in Australia during 1941, was transferred directly from Egypt to Australia. Did they receive these pants in Australia or Egypt?
Answer: Egypt, because once in Australia, the Italians were issued with their Australia POW uniform.
The strap is taken from a uniform jacket issued to enemy prisoners of war and civilian internees held in Australian camps during the Second World War. (AMW Relic 32594)
The official Australian prisoner of war uniform was disposal Australian Army khaki uniforms which had been dyed burgundy as is illustrated in the above photograph. The men were allowed to keep other clothing to be worn only inside camp or for farm work, this included their national uniforms.
Canteen at Cowra Camp November 1941
(ICRC V-P-HIST-01879-32B 1941)
At Campo 306 Geneifa Egypt prisoners of war were photographed wearing the black diamond pants with dark shirts and there are groups of Italians wearing the black stripe pants and black diamond shirts. A pattern seems to emerge: prisoners once processed in Egypt were given clothing: 1. pale coloured pants with a black stripe and pale coloured shirt with a black diamond OR 2. dark coloured shirt and pale coloured pants with a black diamond on the backside of the pants.
The Kitchen at Geneifa Camp 360 Egypt (ICRC VP-HIST-00851-25)
The photo below was taken in 1943, Italian prisoners of war in Melbourne after arriving from India….black stripe on pant!
(1943). Italian Prisoners of War – Italian prisoners of war on their way to a prisoner-of-war camp, following their arrival in Australia.
(National Archives of Australia)
Cowra, NSW. 1944-02-03. Italian prisoners-of-war from No. 12 Prisoner-of-War Camp using a heavy duty pulley block and tackle to pull down a large tree in a paddock near the camp. (AWM Image 064137, Photographer Geoffrey McInnes)
Was the allocation of clothing random?
Was the use of stripes and diamonds random?
Did your father or grandfather mention the POW uniforms?
Has anyone else noticed these uniforms with patches or stripes?
Have a look at photos taken of nonno or papa in the camps of India?
The USA appear to have adopted a completely different approach as is indicated by the P.W. stamped on both shorts and shirts of these German prisoners of war.
German Prisoner of War Uniforms
(from Military Law and Vigilante Justice
in Prisoner of War Camps during World War II
Mark M. Hull, PhD, JD, FRHistS January-February 2020 MILITARY REVIEW)
(Daily Telegraph (Sydney, NSW: 1931-1954), Saturday 27 April 1940, page 1)
I am not sure if you have noticed the names of the army photographers who took the group photos of the Italian prisoners of war: Geoffrey McInnes, Ronald Leslie Stewart and Lewecki.
Why did Steward and McInnes have their first names identified but not Lewecki? A little puzzle…
Once I started to look for more information about these army photographers, I found the answer to another puzzle:
why did the Italian prisoners of war look like criminals in their identification photos?
The answer is simple: these identification photos were standard army photographs.
Australian soldiers and Italian prisoners of war had the same type of photos taken. There was no stigma or negative aspect to these identification photos. This was just a process.
Read the article below to find out further information…
The man behind the camera and named as Lewecki is Michael Nicholas LEWICKI. When he arrived in Australia in 1928 on the Cephee, he identified his nationality as Polish; his last residence as Germany and his occupation as agriculturalist. By 1936 he was operating a successful business in partnership with Herman Schϋtze: The Leicagraph Company. They took street photographs, and were “skilled in sport, ballroom, commercial, portrait, outdoor and other branches of this art.”
By April 1940, Michael Lewicki was the official Defence Department photographer and the following article is from the Daily Telegraph (Sydney, NSW: 1931-1954), Saturday 27 April 1940, page 5:
Pictures 350 A.I.F. Men Daily
Australia’s busiest cameraman is Mr Michael Lewicki, official Defence Department photographer.
He takes on an average of 700 pictures of A.I.F. recruits every day.
“Since war began, I have taken 19,000 pictures of soldiers,” Mr Lewicki said yesterday.
Mr Lewicki is a Pole by birth. He left Warsaw for Australia 12 years ago and is now a naturalised Australian.
He is engaged by the Defence Department under contract to take pictures of soldiers.
Every A.I.F. recruit has to be photographed twice – once full face and once profile.
From each negative four prints are taken. One of these is pasted in the soldiers’ pay-book, and the rest are for Defence Department records.
Mr Lewicki’s studio was recently transferred from Ingleburn camp to the A.I.F. recruiting depot, Moore Park.
Recruits are enlisted and officially photographed on the same day.
At present 350 men ae being photographed daily, but Mr Lewicki’s single camera equipment is capable of photographing 1200 men a day.
It stands to reason that the identification photos of the Italian prisoners of war were also taken by these same photographers. For those of you lucky enough to have copies of your father’s identification photos, you will notice that they were taken in the same manner as the Australian soldiers: one full face and one profile.
At first, it is easy to think that the Italians were made to look like criminals in the identification photos. Reality is that it did not matter whether you were an Australian soldier or an Italian prisoner of war, the same photos were taken. This was part of military procedure.
Alfredo Bertini and William Hugh Lewis
(NAA: A7919 C99229 and NAA: A7919 C99409)
Michael Lewicki was taking identification photos of 350 recruits per day.
The first group of Italian prisoners of war to Australia in May 1941, totalled 2006. I wonder how many days it took to take identification photos of these 2006 Italians at Hay Prisoner of War Camp. I wonder if Michael Lewicki took the identification photos of the Italian prisoners of war. He had the equipment; and he had the experience.
If your father was photographed by LEWECKI, now you know a little more about the man behind the camera: Michael LEWICKI.
Evandro Dell’Amico’s passion for this history is obvious. He has published two books relating to his father: Bruno Dell’Amico’s time as a soldier and prisoner of war.
Scheda descrittiva “IL VIAGGIO AUSTRALE” – The Aussie Journey
Ne “IL VIAGGIO AUSTRALE – The Aussie Journey”, prima edizione 2017 e seconda edizione nel 2018, con il logo del Consiglio Regionale della Toscana ed altri Enti Pubblici ed Associazioni private, l’autore, Evandro Dell’Amico, nato a Carrara il 21/5/1952, descrive
(photo courtesy of Evando Dell’Amico)
il lungo epistolario di guerra e di prigionia del padre Bruno.
Carrista dell’Esercito Italiano, nella seconda campagna d’Africa, il 7 febbraio 1941, viene ferito nella battaglia di Beda Fomm nei pressi di Agedabia in Cirenaica (LIBIA).
Fatto prigioniero degli Inglesi, resta in Egitto sino al dicembre 1941 e da qui viene trasferito in Australia, ove, come PIW n.49833, resterà, prevalentemente nel Cowra Camp nel New South Wales sino all’imbarco il 23 dicembre 1946 a Sydney, sulla nave della Regia Marina Inglese “Alcantara”.
Avendo scoperto, alla morte del padre Bruno, una “valigia dei ricordi” ove erano state raccolte foto e lettere del periodo bellico e della prigionia nel secondo conflitto mondiale, dopo la pubblicazione del primo libro “L’uomo tornato da lontano” e dopo contatti con la Presidente dell’Associzione di Amicizia Cowra-Italia, Maria Baron Bell ed il Vice Presidente della Cowra Breakout Association, Harvey Nicholson, Evandro Dell’Amico decide di tornare sulle orme del padre, 70 anni dopo la prigionia subita in Australia.
Nel frattempo avviene, prima, la pubblicazione, da parte di un giornalista australiano, John Madden, di una foto di una famiglia australiana con cui Bruno aveva fatto amicizia, durante i lavori agricoli prestati in una fattoria e poi, il successivo ritrovamento dell’unico superstite della famiglia, Eris Hackett.
In pochi mesi viene organizzata un viaggio in direzione Cowra ed una missione di memoria, pace ed amicizia tra i popoli, con il sostegno della Regione Toscana, la Provincia di Massa Carrara, il Comune di Carrara, di Massa e varie associazioni private.
Un’esperienza intensissima, con partenza da Milano il 2 agosto 2016, soggiorno a Cowra per partecipare a commemorazioni e manifestazioni, con scambio di doni e ritorno a Milano il 10/8. Successivamente, nello stesso mese, vengono recati i doni del Sindaco di Cowra Bill West e delle Associazioni di amicizia sopra ricordate, a Firenze, al Presidente della Toscana Enrico Rossi ed al Sindaco di Carrara, Angelo Zubbani ed al Sindaco di Massa, Alessandro Volpi.
Il libro “Il Viaggio Australe” è stato presentato pubblicamente a Carrara l’11/5/2018, dall’autore e dal prof. Giancarlo Tassinari, medico, docente dell’Università di Verona che era stato protagonista della “missione australe” nel 2016. La presentazione si è potuta avvalere di uno short fotografico realizzato dai due compagni di viaggio.
Il libro è stato oggetto di premi speciali / segnalazioni da parte di prestigiose giurie in Premi Letterari Europei, il “San Domenichino” e “Massa Città Fiabesca di Mare e di Marmo“, a Massa e “Thesaurus- Città della Rosa” ad Aulla.
Massa, 22 febbraio 2021 Evandro Dell’Amico