Tag Archives: Prigionieri di guerra Italiani in India

Longevity and Letter Writing

life and lifelong connections

Dedicated to Ferdinando Pancisi

I would like to introduce you to 101 year old Ferdinando Pancisi. Ferdinando (Ferdy) has lived a full life; in more ways than one. Life events saw him journey from his home in Italy to Libya to Egypt to India to Australia and then home to Italy. Like the majority of Italian prisoners of war sent to Australia, they were absent from Italy for seven years.

Ferdy settled in the village of Civitella di Romagna with his wife Anna; both work in their small convenience shop. With age comes wisdom, and his sage insights were shared in 2017, when he was interviewed .

Longevity also relates to the duration of a special friendship between Ferdy and his Boonah family: The Dwyers. A bachelor, Pat Dwyer applied for prisoner of war workers and Ferdy was sent to his Fassifern farm. Ferdy left the farm on 2nd February 1946 and Pat Dwyer wrote to him soon after. And so began a correspondence that has continued through the decades. Ferdy’s response to Pat’s first letter is typed below…

(Letter courtesy of Tim Dwyer)

Ferdy’s first letter to Pat Dwyer was written on 11th February 1946. From the records it is known that Pauly and Peter were on the farm of Pat’s brother Jack and Nicola and Cosmo were on the farm of Mr TM McGrath.

Ferdy and Pat shared their family news throughout the decades. Pat’s wife Joie took on the role of letter writing after Pat died and then son Tim has taken on this role in recent years.

For over 73 years Ferdy and the Dwyer family have sent letters, cards and photos back and forth across the decades and across the miles. I would think that their situation might be unique.

Seventy three years is a long time: a special connection between farmer and Italian POW; a tangible link between two men from different walks of life; a personal history of war and friendship; a heartwarming story of Ferdy and the Dwyer family; a connection that goes beyond the backdrop of war.

a unique friendship in many ways

 

 

 

 

 

 

 

 

Artistic and Romantic

The story of Tito Neri began with two photos sent to me by Luigi Pinna from Cagliari Sardinia. They were a puzzle.  Why did Luigi’s father, Antioco Pinna have in his possession two photos of a sculpture created in South Australia by Tito Neri?    What was the story behind these photos?  Where was this sculpture of Adam and Eve created?  Did this sculpture or any record of it still exist?#

Who was Tito Neri?

Tito Neri was a talented and well-respected sculptor from Villa Casone di Cesena (Forli). But for a time, he was an Italian prisoner of war living and working on South Australian farms.

While Neri’s Australian Service and Casualty Form records his occupation as bricklayer his biography relates that from a young age, he had a natural talent for art.  He went on to train at the Academy of Fine Arts in Florence. For further details of his work: Neri Tito

In 1939, he was sent to Libya as a soldier in the 11th Artillery Division, 202 Regiment and was captured at Alam El Tumar 9th December 1940. Sent to prisoner of war camps in India, Neri found time to sculpture with some of his memorable works being: Il Barbaelettrica, Il Duce, Il Re e L’Aquila Imperial, Don Bosco in marble, Il Re di’Ingheiterra Girogio IV, I Re Magi.*  Word spread amongst the English of his talents.

From his Australian POW record, he arrived in Melbourne, onboard the Mariposa and sent to Murchison for processing before a transfer to Sandy Creek POW Camp in South Australia.  Farm placement on farms in the S2 Willunga POW Centre and S1 Mt Barker POW Centre, left him with little time to pursue his art. A comment made by one of his employers was, “This man is a clever sculptor and all spare time is given to this. Works well otherwise.”

Neri Tito PWI 58694

Tito Neri

(NAA: A367, C85639)

He worked on a farm owned by Hartley Roy Moulds of Ashbys Road Inman Valley where he fell in love with the farmer’s daughter, Hazel who left an impression on the ‘sculptor’s soul.‘ An S2 PWCC Willunga report records, “This man is a good type, above average intellect, but romantic… Not necessarily bad but would be better employed away from women.”

 Neri was transferred to the Usher farm near Meadows and also worked for six weeks at Mr MS (Maurice Samuel)  Pearce’s farm Doringa at Paris Creek.  He also worked Mr FS Evans farm at Aldgate Stirling which was his most serene and welcoming placement.

“For his art, the years lived in Australia are much less prolific than those in India and that is due to the hard and unceasing work in the ‘farms’. In fact, Neri only sculpts a few subjects: a kangaroo, a large snake in cement, a bust of a Boss and above all, an Adam and Eve which nevertheless appears even in an Australian magazine,” as is explained in his biography by Dott. Andrea Antonioli, Commune di Cesena.

Puzzling however, is how did Antioco Pinna have in his possession two photos of Adam and Eve and the serpent, which could possibly be the sculpture mentioned in his biography.

Tito Neri. Adam and Eve

A Puzzle: Is this Tito Neri with his sculpture Adam and Eve?

(photo courtesy of Luigi Pinna)

Antioco Pinna from Cagliari Sardinia and Tito Nero from Villa Casone Forli were in different theatres of war: Pinna Wolkefit Ethiopia and Neri Alam Et Tumar Libya.  What they do have in common is time in the POW Camps in India, arrival in Australia on the Mariposa 5th February 1944, time at Loveday POW Camp in 1946 and their repatriation on Strathmore 7th November 1946.  While Pinna was assigned to work in Prisoner of War Control Hostels on government projects: forestry, Neri worked on individual farms.

Still a puzzle: where in South Australia did Neri create his Adam and Eve?  Does this sculpture still exist?  What Australian magazine was his work featured in?

#The sculpture was created at Loveday Prisoner of War Camp during 1946.  It was said that Tito Neri destroyed his work before leaving the camp for repatriation to Italy.

*Dott. Andrea Antonioli, Ufficio Topomostica Commune di Cesena,  is the writer of TITO NERI: A Biography.

A Chance Find

And a journey of discovery begins…

I received an email from Giulia Musini recently. Giulia wrote,

“Today I found this fabric napkin embroidered from a soldier prisoner in India. This little historical treasure was in an op shop in Western Australia. I was hoping to find the family of Antonio Fracasso, the soldier that embroidered this. Maybe through your page I can reach some experts or people related to Bangalore prisoners.”

Fracasso. Embroidery A XIX EF

Embroidery by Antonio Fracasso

(Photo courtesy of Giulia Musini)

Giulia had visited a second-hand charity shop in Witchcliffe Western Australia. “I was digging in the op shop and I saw the Savoia flag and the Italian writing … it was so touching I couldn’t leave it there forgotten in a pile of other stuff,” Giulia wrote.

After a little digging and emails to and fro, Antonio’s story emerges.

There were two Italian prisoners of war named Antonio Fracasso. Both were from Lecce region in Italy and both had spent time in prisoner of war camps in India.  One Antonio worked on farms in New South Wales while Giulia’s Antonio worked on farms in Western Australia. The first piece of the puzzle emerged.

The next part of the puzzle was how did Antonio’s embroidery end up in an op shop at Witchcliffe!

Captured at Bardia on 6th January 1941, 24 year old Antonio Fracasso was sent to India until his arrival in Melbourne onboard Mount Vernon 27th April 1944. The date on the embroidery, June 1941, indicates that his time in prisoner of war camps in Egypt was brief.

From Melbourne, Antonio was sent to Murchison Victoria for processing before being sent to Marrinup Western Australia on 14th June 1944.

Antonio Fracasso’s Service and Casualty Form highlights that he worked on farms in the district of W11 Prisoner of War Control Centre (PWCC) Kellerberrin (29th July 1944 to 8th December 1944) and W8 Margaret River (21st January 1945 to 14th November 1945).

And here is another piece of the puzzle, the proximity of Witchcliffe to Margaret River: 7 – 8 kms.  We know from other farming families, that the Italians gifted hand-crafted objects to members of the farming families as a gesture of gratitude.  Probably, 73 years ago, Antonio gave this napkin/handkerchief to his W8 Margaret River farming family.  Subsequent generations of the family did not realise the historical importance of the embroidery and its connection to the family and along with other linen, donated it to charity.

The significance of Giulia’s chance find is more poignant as Antonio Fracasso was never to return home to Italy.  Antonio died on 20th December 1945 while swimming in a dam on a farm at Corrigin.

Fracasso nla.news-page000003772085-nla.news-article44836696-L3-411333eda8c04fd18bd70e831559d833-0001

“DROWNED IN DAM.” The West Australian (Perth, WA : 1879 – 1954) 26 December 1945: 7. Web. 1 Jun 2019 <http://nla.gov.au/nla.news-article44836696&gt;.

Giulia is now trying to locate a family member of Antonio.  A stumbling block is the places recorded as his residence in Italy: Canaleuco Lecce and Casalano Lecce.  Unable to find either places on a map, Casarano Lecce might be the town.  Giulia has already made contact with the shire office of Casarano and surprisingly her email reached a gentleman named… Antonio Fracasso.

Giulia is hopeful she will find her Antonio’s family as she says, “I wish to bring this piece of Antonio home. We are moving there soon in Puglia, so close to where he was born. I feel he can finally, some how, go back home.”

Antonio’s embroidery was meant to be ‘rescued’ by Giulia. Her passion for history, Antonio’s story and Giulia’s return to Italy and the region of Antonio’s birth means that this chance find couldn’t be in safer hands.

Further information….

  1. A missing piece in the puzzle is what was Antonio doing on a farm at Corrigin, when his record has his last known whereabouts as Marrinup POW Camp. While there was no prisoner of war control centre at Corrigin, there were centres at W17 Kondinin and W15 Yearlering. It is likely that the farm of Mr WJ Keays was in one of these centres, where Antonio was transferred to work but he died before his record card could be updated.
  2. The newspaper article has Antonio’s surname as Saldato. Soldato = soldier. Someone only had half the story or was misinformed.
  3. Antonio Fracasso rests in The Ossario at Murchison Victoria.
  4. Givgno 1941 A XIX EF = Anno 29 Era Fascista. The Fascist Calendar began on 29 October 1922 and is written with Roman numerals.
  5. eta piu bella; giorni piu tristi = most beautiful age;  most sad days

Special Memories

I was five years old at the time, but I have clear memories of the time when Domenico Masciulli lived and worked on our farm at Radford via Harrisville.  I was the chatterbox in the family; my eldest sister Judith was at school and my youngest sister Diana was a baby, so I think I had more time around and with Domenico than my sisters.

Christmas 1944: we went to Rosewood to be with my grandparents.  With my dad having cancer, this was to be his last Christmas.  Domenico and Frank (Uncle Roddie’s POW) were loaned a vehicle so that they could also join us there. The family photo captures those present: ‘The Hardings’ all my mother’s family and Domenico and Frank.  This was our last family photo taken with daddy; a special photo.

Rosewood Xmas 1944 Rackley Family -

Christmas 1944 Harding Family Rosewood

Standing: Bill Harding, Joyce Harding, Alice Harding, Connie Isles, Tom Isles, Margo McMillian, Robert McMillan, Edith Rackley (Mum), Judith Rackley (to the front), Cyril Rackley (Daddy), Diana Rackley (Baby) Francesco Pintabona, Domenico Masciulli, Dugald McMillan

Seated: Gran Harding with baby Nancy Harding, Alan Harding, Grandad Harding, Helen Rackley

(Photo courtesy of Helen Mullan [nee Rackley])

Daddy had a small crops farm with some cows for cream which we sold.  Our farm produced corn, lucerne, pumpkins, potatoes, watermelons, cream melon or Indian Cream I think they were called, carrots, beetroot, peas and tomatoes.  Daddy also had bee hives, so we always had honey.

Domenico’s lodgings was referred to as the ‘worker’s hut’.  It was similar to one on my Uncle Roddie Harsant’s farm and was probably a standard worker’s hut.  I remember Domenico sitting on the step and me looking into a small room with a bed; being told not to go into the hut and being a little five year old, that’s most likely all I could see. There was always a farm hand on our property, Mum used to say she always had work men to feed.

Domenico was like part of the family and ate with us.  Judith first, then while she was at school, I took the smoko, which was a billy of tea, cake or biscuits down to the men in the paddock, morning and afternoon. The most memorable meal we had with Domenico and Frank who was at Uncle Roddie’s farm, was a Sunday lunch.  We were all going to Church. Mum had a Rolled Beef Roast cooking, however Domenico asked if he could cook spaghetti for us as the canteen van had called that week and a box of spaghetti was purchased, the size of a half bushel case.  Domenico asked mum for a big vessel to cook the spaghetti.  Mum got him a saucepan. NO, not big enough to cook the spaghetti; so out came the boiler and off we went to church.  On arriving home, Domenico and Frank were in the backyard cooking the spaghetti in the copper.  Mum was flabbergasted!

Those plates coming out to the table still stay vividly in my memory…. piled high.  Spaghetti, tomato sauce with slices of Roast Beef and topped with cheese.  The following day Domenico was really sick, but he wouldn’t have it that he ate too much spaghetti.  There began my love of spaghetti.  He taught us how to use a spoon and fork to eat it and this I have passed down to my children and grandchildren.

The only words I can remember Domenico teaching us were ‘forchetta’ – fork which he used while teaching us to eat spaghetti; ‘bambina’ – baby, which Di was; and ‘bicheralia’ – he used when singing Di a lullaby.  Di called him ‘Manny’, part of ‘Domenico’ I guess.  She was only 22 months old when we parted.

Before he left the farm, Domenico gave me the needlework of “Madonna and Child”.  He had painstakingly worked on a men’s handkerchief, when in a prison camp in India, I believe.  It was kept folded in an envelope for many years.  It is my special treasure, a reminder of Domenico, and I felt I needed to share this treasure with everyone, so I had it framed.  It has pride of place in my China Cabinet. You can see that is a combination of needlework and drawing with a painted background.  I have often wondered if he ran out of cotton as there are sections which have not been embroidered like the feet and the arms of the angel. It looks like he copied the image because you can see his pencilled in grid pattern.  As an adult, I reflect upon what it must have been like in the POW camp in India and the hours he spent embroidering this “Madonna and Child”.

Domenico.Rackely

Madonna and Child: Domenico Masciulli

(courtesy of Helen Mullan [nee Rackley])

 

Other memories I have are of Domenico giving me an Italian coin and Salvital.  I treasured that coin which was about the size of a threepence, but over my childhood, I lost it.  Salvital was another first for us.  It was available on the Canteen Van.  Domenico would give us a drink now and then, not with chilled and iced water like it is used today though. There is also a letter that Domenico wrote to mum after he left the farm.  I found it in mum’s paperwork but for the time, it is ‘lost’.

Domencio shared a special Christmas with my family.  The photo of this Christmas in 1944 together with Domenico’s needlework gift to me, are fond reminders of the time our Italian prisoner of war worker lived on our farm.

Helen Mullan [Rackley]

Journey Through Photos

Luigi Iacopini’s journey as a soldier and prisoner of war is told through the photos he kept.  His photos are like a diary recording major events in his early adult life.

Born 24.5.16  in Ponzano Di Fermo Ascoli Piceno, Luigi’s occupation was a barber.

In Italy

A reminder of his military service in the infantry is a photo of a young Luigi in full dress uniform.

Foto Luigi Iacopini AUS__003 (1)

Luigi Iacopini

(courtesy of Raffaele Iacopini)

Craig Douglas from Regio Esercito History Group Australia  recognised the uniform and writes, “it looks like he belonged to the 115 Infantry Regiment, 62nd Infantry Division Marmarica. Destroyed 5 January 1941 at Bardia.”  And yes, Luigi was captured at Bardia on 3rd January 1941.

In Libya

Luigi and other young soldiers in Derna Libya. Derna is on the coast between Benghazi and Tobruk.  It was taken on 25.?.38. Luigi was 22 years old.

Foto Luigi Iacopini AUS__001 (3) - Copy

Italian Soliders in Derna 1938

(courtesy of Raffaele Iacopini)

In India

The rattan matting, the socks and sandals, the shorts and trousers with a distinctive stripe down the sides are common to photos in the POW Camps in India. Luigi was 25-27 years old.

Foto Luigi Iacopini AUS__001 (2) - Copy

A group of Italian prisoners of war in a POW Camp in India

(courtesy of Raffaele Iacopini)

In Australia

A group of Italian prisoners of war at a Gympie farm.  The photo was possibly on a Amamoor farm and taken on the day of departure from the farms in the first week of January 1946. Luigi was 29 years old.

Luigi Iacopini, Giovanni Meconi and Fortunato Gobbi went to the farm of JJ Parr at Amamoor on 5th August 1944.

Other Italian POWs who worked on the farm of JJ Parr were Vincenzo Licocci, Francesco Bevilacqua. Alessandro Di Placido, Costanzo Melino and Pasquale Di Donato.

Foto Luigi Iacopini

Italian Prisoners of War at a Gympie Farm

Alessandro Di Placido (?) first on left, Fortunato Gobbi second on left, Luigi Iacopini centre

(courtesy of Anna Eusebi)

 

Luigi was repatriated on the Alcantara on 23rd  December 1946.

1946 Dec Daily Advertiser

1946 ‘BACK TO ITALY’, Daily Advertiser (Wagga Wagga, NSW : 1911 – 1954), 25 December, p. 1. , viewed 07 Aug 2018, http://nla.gov.au/nla.news-article145125911

Sebastiano from Ortona a Mare Chieti

With a handful of photos, Paolo Zulli is looking for information regarding his uncle, Sebastiano Di Campli, prisoner of war in Australia. Sebastiano was sent to work on farm/farms in the N13 Moss Vale district in New South Wales from 10.4.44 to 30.3.45. The government records indicate that some 110 Italian prisoners of war worked on farms in this area from March 1944 to November 1945.

Italian prisoners of war assigned to farm work, were issued with a ‘Bag, kit universal’ which was supposed to be withdrawn when rural workers returned to camp.  Not so for Sebastiano whose bag is still coloured with the red used to dye clothing and other items issued to prisoners of war and internees. Sebastiano’s kit bag still bears his Australian prisoner of war number: 57181.

Di Campli (2)

Kit Bag: Sebastiano Di Campli

(photo courtesy of Paolo Zilli)

Sebastiano’s photos tell more of his journey as a soldier and prisoner of war. Sebastiano was serving with the 44 Regiment Artiglieri Division Marmarica when he was captured on 3rd January 1941. A group photo taken in Libya was one of the treasured mementoes which returned to Italy with him.

Di Campli (1)

Libya: Sebastiano Di Campli and friends

(photo courtesy of Paolo Zilli)

From their capture at Bardia, Sebastiano and a friend Nicola Costantino (also from Ortona a Mare), were together when they were processed at Geneifa Egypt. How is this known: Sebastiano’s M/E prisoner of war number is 71770 while Nicola’s M/E number is 71768. Special bonds of friendship are confirmed by a family story that Nicola saved Sebastiano’s life in Libya.

From Egypt they were both sent to camps in India. On the reverse of Nicola’s photo is inscribed: 26.4.1942 Ricordo di Costantino Nicola. In 1943, they arrived in Australia, within two months of each other, then Nicola was sent to South Australia while Sebastiano stayed in New South Wales.

India: Sebastiano Di Campli and Nicola Costantino

(photo courtesy of Paolo Zilli)

Two months before being sent to Moss Vale and farm work, Sebastiano Di Campli was captured by the lens of Geoffrey McInnes at Cowra POW Camp on 6th February 1944.  He is standing third from the right and was immediately recognised by his nephew Paolo.

AWM 3899063

 Cowra, NSW. 6 February 1944. Group of Italian prisoners of war (POWs) interned at No. 12 POW Group. Back row, left to right: 57040 G. Angelozzi; 57413 G. Palladinetti; 57422 D. Pasquini; 57168 D. Del Romano; 57181 S. Di Campli; 57277 R. Iacobucci; 57448 V. Pizzica. Front row: 57235 L. Fresco; 57195 M. Di Prato; 57224 G. Flacco; 57420 A. Paolucci; 49872 P. Morelli. Note: The number is an assigned POW number.

(AWM Image 030173/16, Photographer: McInnes, Geoffrey)

Glimpses of information about N13 Prisoner of War Control Centre Moss Vale can be found in the newspapers of the day. An article in the Picton Post on 11 May 1944 mentioned, “Sixty four prisoners of war employed on farms in Moss Vale district are said to be rendering excellent service.” Another article mentions Mr C McInnes owner of New South Wale’s largest piggery- “The Yedman”, which had 1400 pigs. The piggery was run by Mr McInnes, one employee and two prisoners of war and there was concern as to how to staff his piggery with the Italians being recalled in November 1945.

A reporter for the Sun newspaper visited five Italian prisoners of war at a farmhouse in the Moss Vale district. This is their story: N13 Moss Vale Antonio, Mario, Giuseppe, Pietro and Domenico

Another article mentions the strong affinity between a Moss Vale farmer and his family and ‘the men in their prisoner garb’, as well as the ongoing communication between farmer and an Italian post-war: An Italian Ex-P.O.W. Who Died from Grief

Along with his photos and kit bag, Sebastiano returned to Italy with a holy card for Maria S.S. della Libera. The picture of Holy Mary was kept with him while in Libya, Egypt, India and Australia, a source of comfort and a tangible and personal link to his home in Ortona a Mare Chieti.

Di Campli (4)

Holy Card belonging to Sebastiano Di Campli

(photo courtesy of Paolo Zilli)

Paolo knows that his wish to find Sebastiano’s farming families in and around Moss Vale is unlikely to happen, but he would at least like to know a little more about this district and primary industries in those times.

 

The Big Picture: 1943

A question often raised is: ‘Why were Italian prisoners of war sent to Australia?’

Statistics aid in an understanding of the global situation in May 1943: Italian casualties numbered 400,000. ‘And the figures for the North African campaign were not completed yet.’

nla.news-page000011440715-nla.news-article106048757-L3-21559ca028125615b50f212a9df2d8b8-0001

1943 ‘EMPIRE CASUALTIES.’, The Port Macquarie News and Hastings River Advocate (NSW : 1882 – 1950), 22 May, p. 2. , viewed 08 Aug 2019, http://nla.gov.au/nla.news-article106048757

The question becomes then, ‘What do the Allies do with these Italian prisoners of war?’  accommodation, food, water, sanitation, clothing, interpreters, guards, short term strategies and long term strategies….

In a SECRET War Cabinet Agendum 10th September 1943, titled, Prisoners of War. Responsibility and Accommodation, the situation is presented:

  • By 1st January 1944, America will have accommodation for 250,00 prisoners.  By 1st July 1944, the figure will be increased by 100,000.
  • Approximate nubmers of prisoners held various, particularly Empire:-

United Kingdom 76,700; Canada 23,500; Australia 7,100; New Zealand 800; South Africa 49,000; India 67,000; Middle East 71,000; East Africa  60,000; West Africa  600; Persia/Iraq  1,200; Jamaica  600; Caribbean  600.